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For one thing, while Wyeth does have a special sensitivity for suggestive narrative elements, he is also an abstract painter, with a powerful sense of gesture, stroke, and pattern. Some of his watercolors are as thrusting and liquid as Jackson Pollock's drips, and almost as nonobjective. Other compositions can be as fixed as Christina's World, the huge 1948 painting for which he is perhaps best known, but within the strictly ordered confines of tempera, a painstaking medium, he still handles the brush with bravura. The authors of Unknown Terrain make an attempt to elucidate Wyeth's relationship to this century, and they succeed admirably--with the help of nearly 200 reproductions.
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