About the Author:
Author of The Last Samurai and Lightning Rods, “Helen Dewitt knows, in descending order of proficiency, Latin, ancient Greek, French, German, Spanish, Italian, Portuguese, Dutch, Danish, Norwegian, Swedish, Arabic, Hebrew, and Japanese: ‘The self is a set of linguistic patterns,’ she said. ‘Reading and speaking in another language is like stepping into an alternate history of yourself where all the bad connotations are gone’ (New York Magazine).”
Review:
“Lightning Rods [is] Helen DeWitt’s merrily demented satire of the obtuse sexual politics of American corporate culture. Brazen, outrageous, and―the key to good satire―just plausible enough to give it the bite of truth. It made me cringe; it made me blush; but mainly it made me laugh. This week, I read Lightning Rods again, and was struck by the degree to which it seems, in our post-Harvey Weinstein world, where each day brings new revelations of egregious male misbehavior, like a work of credible realism.”
- Alexandra Schwartz, The New Yorker
“The basic premise for Lightning Rods is so audacious that it might be hard to get past its general conceit, but its true brilliance lies in DeWitt’s careful deployment of language so common that we no longer see it. As any million-dollar litigation lawyer or two-cent literary critic will tell you, the devil is in the details.”
- Jennifer Szalai, The New York Times Book Review
“Standing athwart the arc of literary history ― uninterested in sugarcoating her interest in complex systems ― DeWitt is among those novelists who long for a return to formality, who dream of constructing beautiful, new, arbitrary systems. She wants to tell us all about them. She thinks her readers might enjoy working their brains a bit. DeWitt delights in language not just as a means to communicate but as a complicated game whose rules she might plumb and master.”
- Los Angeles Times
“She also lampoons the pabulum of business motivational books and the pieties of CEO memoirs in a book that is consistently funny in its stomach-turning way. (In her acknowledgments, Ms. DeWitt thanks the person who introduced her to The Producers.) The key to her satire is a disdain for the business world expressed with such purity that it achieves a sort of euphoria.”
- The Wall Street Journal
“DeWitt’s wickedly smart satire deserves to be a classic. As I was writing this review, I came across critic Walter Kirn’s recent rereading of Joseph Heller’s Catch-22 on its fiftieth birthday. Kirn writes: 'There are no more Joseph Hellers, no more glorious literary crusaders who can ambush and sack, all alone, immense and intimidating social edifices. That demolition job’s been done, that project is complete.' But DeWitt gives plenty of reason to believe that there’s still ambushing to be done.”
- Rhonda Lieberman, Bookforum
“This is excellent: cold and crazy...The jokes are like hammers.”
- New Yorker
“In the long-awaited follow-up to Ms. DeWitt’s debut, The Last Samurai, a fickle vacuum cleaner salesman (who isn’t very good at selling vacuum cleaners) finally decides he’s struck gold with his new business venture: a monetized glory hole installed in every office, where a pool of 'lightning rods' has anonymous sex with sexually frustrated employees. Ms. DeWitt’s deadpanned humor makes this slim book into a complex story that works as both surrealist metaphor and corporate parody.”
- Michael H. Miller, New York Observer
“It's an altogether different piece of writing: a sharp satirical fable that provides strong supporting evidence in favor of the proposition, as Marco Roth once put it to me, that DeWitt is 21st-century America’s best 18th-century novelist.”
- The Awl
“The Last Samurai made DeWitt a household name for its audacity; Lightning Rods, written a decade before Samurai, inverts the Willy Loman myth by giving us a salesman with a sexual fantasy instead of a dream, who succeeds in selling his own personal kink as the solution to workplace sexual harassment.”
- The Boston Globe
“This is not to say that Lightning Rods shares that novel's epic sweep. It is, by design, a minor work... But it so emphatically aces the tasks it sets for itself, and delivers such a jolt of pleasure along the way, that it reminds me of just how major a minor work can be. I wish the other leading American novelists would produce more books in this vein. Come to think of it, I wish Helen DeWitt would, too. At any rate, as one of her endearingly flummoxed characters might say, I literally cannot wait to see what she does next.”
- Garth Risk Hallberg, The Millions
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