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Nothing enhances the appeal of a beautiful painting like the perfect frame. Indeed, framing is an art form in its own right, and The Gilded Edge is the first book to offer a comprehensive visual survey of the beautiful antique frames made in America over the last two centuries. Comprising diverse essays by art world luminaries, museum curators, private collectors, and independent scholars, this richly illustrated volume covers topics ranging from frame history and fabrication to the art of perfectly matching frame to artwork. Unlike most art books that depict paintings without their frames, The Gilded Edge presents a plethora of photographs that showcase frames in relation to the paintings they border—and as works of art themselves. An accessible reference for collectors and admirers alike, this is an invaluable guide to the art of making beautiful things even more so.
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Eli Wilner owns Eli Wilner & Company, a Manhattan business that recently took on the framing of 27 American paintings in the White House collection.From Publishers Weekly:
It's a frame-up! New York frame dealer and restorer Wilner has compiled an elegant and substantial book of words and images about the history and aesthetics of the rectangular things that go around paintings, with a tight focus on American art. Though often neglected by professional critics, frames have played many roles in shaping the look and feel of paintings, restricting or opening up the visual and cultural fields in which paintings appear. Painters like James McNeill Whistler put care and attention to making their frames themselves; designers and craftspeople from other media, like the architect Stanford White, also created significant picture frames. After a quick introduction by Wilner himself, 10 essaysAby curators, academic art historians and practicing framersAintroduce readers to picture frames' past and their present; 175 plates (many in color) show, sometimes just frames, sometimes paintings in frames, and make the book a pleasure to leaf through. Framer Suzanne Smeaton discusses the frames designed by painters, furnishing many beautiful full-page examples: Florine Stettheimer's white-and-gold, carved-and-gilded setting for her Beauty Contest simulates curtains at a fancy theater, while Georgia O'Keeffe's scalloped metal frame for her Ram's Head sheathes the painting's loud browns in a quieter black. Princeton art historian Sally Mills's essay "From Parlors to Pueblos" shows, with examples from Remington, Church and others, how "the diversity of western frames parallels the diversity found in western paintings." Metropolitan Museum of Art associate curator Carrie Rebora Barratt shows how the Met has kept track of its frames, corrected framing mistakes and gleaned information about painters' own choices, with particular attention to 19th-century realist painter Thomas Eakins. Appendixes include a glossary of frame types, terms and ornamentation. American frames became collectible in their own right, and a subject of special art historical attention, only about 20 years ago: this hefty and attractive volume shows how far the study of frames has already come. (Oct.)
Copyright 2000 Reed Business Information, Inc.
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Book Description Chronicle Books, 2000. Hardcover. Condition: New. Brand New!. Seller Inventory # VIB081182070X
Book Description Chronicle Books, 2000. Condition: New. book. Seller Inventory # M081182070X
Book Description Condition: New. New. Seller Inventory # STR-081182070X
Book Description Boston, Massachusetts, U.S.A.: Chronicle Books Llc, 2000. Hardcover. Condition: New. Dust Jacket Condition: Fine. 10" x 12", 2003pgs. The book is NEW and MINT. However, the dust jacket is very slightly shop worn, having been in the store for many years. See photographs. B-32. Seller Inventory # ABE-3096834782