American Impressionism was a movement deeply rooted in the American soil. Artists often spurned the cities, living and working in the numerous art colonies that sprang up throughout the country in the late nineteenth and early twentieth centuries. One of the best known of these colonies formed in 1898 on the banks of the Delaware River north of Philadelphia, centered in the picturesque village of New Hope, Bucks County. Known as the Pennsylvania impressionists, this group of artists played a dominant role in the American art world of the 1910s and 1920s, winning major awards and sitting on prestigious exhibition juries. Their work was celebrated for its freedom from European influence, and was praised by the noted painter and critic Guy Pene du Bois as "our first truly national expression."
Many of the Pennsylvania impressionists both studied and taught at the Pennsylvania Academy of the Fine Arts in Philadelphia, and their stylistic roots hearkened back to the "academy realism" practiced by Thomas Eakins and his followers. Edward Redfield was the generally acknowledged stylistic leader of the New Hope painters; his vigorously realistic, unsentimental brand of impressionism influenced several generations of artists associated with the group. However, what most characterized Pennsylvania impressionism was not a single, unified style but rather the emergence of many mature, distinctive voices: Daniel Garber's luminous, poetic renditions of the Delaware River; Fern Coppedge's colorful village scenes; Robert Spencer's lyrical views of mills and tenements; John Folinsbee's moody, expressionistic snowscapes; and William L. Lathrop's deeply felt, evocative Bucks County vistas.
Pennsylvania impressionist artwork is now widely collected, and many works in private hands are shown here, as well as the holdings of the James A. Michener Museum, recognized as the most extensive public collection. Pennsylvania Impressionism explores in comprehensive and sumptuous detail this important American movement. Principally authored by the Michener's Senior Curator Brian H. Peterson, the book contains additional essays by art historians William H. Gerdts, Professor Emeritus of Art History at the City University of New York, and Sylvia Yount, Margaret and Terry Stent Curator of American Art at the High Museum in Atlanta. Also included are biographies of more than 75 artists and extensive color reproductions of their work. Intended for both a general audience and aficionados, this book will become the principal source for information about this important branch of American impressionism.
Also of Interest—
Edward W. Redfield
Just Values and Fine Seeing
Constance Kimmerle
The Cities, the Towns, the Crowds
The Paintings of Robert Spencer
Brian H. Peterson
"synopsis" may belong to another edition of this title.
Brian H. Peterson is Senior Curator at the James A. Michener Art Museum and has more than twenty years of experience as a curator, critic, artist, and arts administrator in the Philadelphia area.
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hardcover. Condition: fine. Dust Jacket Condition: fine. 9 7/8 x 12 1/4" 340 pages plus essays by William H. Gerdts, Brian H. Peterson, Sylvia Yount. with additional contributions by Erika Jaeger Mith, Constance Kimmerle, Mary O'Brien, Birgitta H. Bond and Tricia Fagan. shipping will be extra for this large and heavy book, please inquire. Seller Inventory # 129861
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Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardbound. Condition: VG+/VG+. Ochre cloth boards, color illustrated dust jacket. xxii, 340 pp., 198 color plates, many additional illustrations. "American impressionism was a movement that was largely rooted in the American soil. Artists often spurned the cities, living and working in the numerous art colonies that sprang up in rural areas throughout the country in the late nineteenth and early twentieth centuries. One of the best known of these colonies was born in 1898 on the banks of the Delaware River north of Philadelphia, centered in the picturesque village of New Hope, Bucks County. Known as the Pennsylvania impressionists, this group of artists played a dominant role in the American art world of the teens and twenties. Their work was celebrated for its freedom from European influence, and was praised by the noted painter and critic Guy Pene du Bois as "our first truly national expression." "Pennsylvania impressionist paintings are now widely collected, and numerous works in private hands are shown here, as are selections from the holdings of the James A. Michener Art Museum, which has the most extensive public collection. The book is lavishly illustrated with 369 color reproductions, and includes biographies of eighty-four artists, many never before published. The history of the Bucks County art colony is explored by Brian H. Peterson, who also suggests new ways of understanding the art and artists who made their home in the area. Sylvia Yount eloquently weaves together the historic foundations of the Pennsylvania Academy of the Fine Arts and its impact on the Pennsylvania impressionists. Noted art historian William H. Gerdts provides a comprehensive study of the art colony movement and its roots, and includes a comprehensive bibliography on that bygone era."--BOOK JACKET. Seller Inventory # 196370
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