In the largely forgotten craft of hairwork, practiced widely in nineteenth-century America, the hair of loved ones—living and deceased—was woven into jewelry, wall decorations, and keepsakes. Rings, bracelets, lockets, and brooches were set with metalwork or ivory and painted with rich patterns. Pocket watches hung from long, woven hair fobs. Parlor walls were decorated with elaborate wreaths made of hair fashioned into twigs and flowers, often adorned with beads or ribbons. More unusual items even included a tea set made entirely out of hair. Victorian men and women treasured hairwork not only as remembrances of loved ones and memorials of relationships but also as objects of beauty and means of personal expression.
Beginning as a trade of highly skilled craftsmen in the late eighteenth century, hairwork became tremendously popular among the middle class, and supported at its peak in the mid-nineteenth century an industry that included catalog dealers of premade pieces, standardized patterns, and how-to books for hobbyists. Advertisements, stories, and illustrations in popular publications depicted hairwork as the height of sentimental fashion.
Using a wide array of evidence drawn from poetry, fiction, diaries, letters, and, above all, examples of hairwork, Love Entwined traces the widespread and long-lived popularity of the craft and its place in the American marketplace. During a period that saw a growing mechanization of production methods, hairwork stood apart not only for being made by hand but also for using a part of the body as a material. Helen Sheumaker argues that this refiguration of a loved one's hair into a commodity created a unique meeting point between sentimentality and consumerism, intensifying the close relationship between the goods one purchased and the kind of person one wished to be.
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Helen Sheumaker teaches American studies and public history at Miami University in Ohio.
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Seller: Books From California, Simi Valley, CA, U.S.A.
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Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Hardback. Condition: New. In the largely forgotten craft of hairwork, practiced widely in nineteenth-century America, the hair of loved ones-living and deceased-was woven into jewelry, wall decorations, and keepsakes. Rings, bracelets, lockets, and brooches were set with metalwork or ivory and painted with rich patterns. Pocket watches hung from long, woven hair fobs. Parlor walls were decorated with elaborate wreaths made of hair fashioned into twigs and flowers, often adorned with beads or ribbons. More unusual items even included a tea set made entirely out of hair. Victorian men and women treasured hairwork not only as remembrances of loved ones and memorials of relationships but also as objects of beauty and means of personal expression. Beginning as a trade of highly skilled craftsmen in the late eighteenth century, hairwork became tremendously popular among the middle class, and supported at its peak in the mid-nineteenth century an industry that included catalog dealers of premade pieces, standardized patterns, and how-to books for hobbyists. Advertisements, stories, and illustrations in popular publications depicted hairwork as the height of sentimental fashion. Using a wide array of evidence drawn from poetry, fiction, diaries, letters, and, above all, examples of hairwork, Love Entwined traces the widespread and long-lived popularity of the craft and its place in the American marketplace. During a period that saw a growing mechanization of production methods, hairwork stood apart not only for being made by hand but also for using a part of the body as a material. Helen Sheumaker argues that this refiguration of a loved one's hair into a commodity created a unique meeting point between sentimentality and consumerism, intensifying the close relationship between the goods one purchased and the kind of person one wished to be. Seller Inventory # LU-9780812240146
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Cloth. Condition: Very good. Dust Jacket Condition: very good. First Edition. [xvi], 250p. 1st printing. Jacket has half inch closed tear on top back edge. The craft of hairwork, weaving the hair of loved ones into "jewelry, wall decorations, and keepsakes," became popular with Victorian men and women in the 19th century. "Using a wide array of evidence drawn from poetry, fiction, diaries, letters, and, above all, examples of hairwork, [Sheumaker] traces the widespread and long-lived popularity of the craft and its place in the American marketplace." From jacket flaps. Includes selected bibliography and notes. B&w photographs. (9-1/4"x6-3/8"). Seller Inventory # CR003
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Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.
Hardback. Condition: New. In the largely forgotten craft of hairwork, practiced widely in nineteenth-century America, the hair of loved ones-living and deceased-was woven into jewelry, wall decorations, and keepsakes. Rings, bracelets, lockets, and brooches were set with metalwork or ivory and painted with rich patterns. Pocket watches hung from long, woven hair fobs. Parlor walls were decorated with elaborate wreaths made of hair fashioned into twigs and flowers, often adorned with beads or ribbons. More unusual items even included a tea set made entirely out of hair. Victorian men and women treasured hairwork not only as remembrances of loved ones and memorials of relationships but also as objects of beauty and means of personal expression. Beginning as a trade of highly skilled craftsmen in the late eighteenth century, hairwork became tremendously popular among the middle class, and supported at its peak in the mid-nineteenth century an industry that included catalog dealers of premade pieces, standardized patterns, and how-to books for hobbyists. Advertisements, stories, and illustrations in popular publications depicted hairwork as the height of sentimental fashion. Using a wide array of evidence drawn from poetry, fiction, diaries, letters, and, above all, examples of hairwork, Love Entwined traces the widespread and long-lived popularity of the craft and its place in the American marketplace. During a period that saw a growing mechanization of production methods, hairwork stood apart not only for being made by hand but also for using a part of the body as a material. Helen Sheumaker argues that this refiguration of a loved one's hair into a commodity created a unique meeting point between sentimentality and consumerism, intensifying the close relationship between the goods one purchased and the kind of person one wished to be. Seller Inventory # LU-9780812240146