In this book Peter J. Bellis aims to show how Melville's career is shaped by his desire to define and represent the self, to find a secure identity on which to base personal and social relations. Using Typee, Pierre, White-Jacket, Redburn, Billy Budd, and Moby-Dick as models, Bellis isolates three forms of selfhood—the integrity of the physical body, the son's genealogical link to his father, and the coherence of an autobiographical text—that Melville explores throughout his work. He shows how, as Melville texts each of these, his work becomes increasingly self-reflexive and self-critical; his search for an absolute ground for both self and text ends by undermining the very authority it would establish. In this Melville differed markedly from Whitman and Thoreau, who did find or create identities for themselves in their writing.
Bellis examines Melville's last novel, The Confidence-Man, to show his method as ultimately deconstructive—culminating, in fact, in the abandonment of Melville's own career as a novelist.
"synopsis" may belong to another edition of this title.
Peter J. Bellis is Professor of English at the University of Alabama at Birmingham.
"About this title" may belong to another edition of this title.
Seller: Willis Monie-Books, ABAA, Cooperstown, NY, U.S.A.
Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. First Edition. Seller Inventory # 18698
Seller: TotalitarianMedia, Los Angeles, CA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. No Mysteries Out of Ourselves: Identity and Textual Form in the Novels of Herman Melville. Peter J. Bellis. Univ of Pennsylvania Press, 1990. 222p. hardcover with dust jacket, dust jacket clean/square/in mylar, boards clean/square, binding tight, text clean/unmarked, NOT xlib, fine condition ISBN 10: 0812282299ISBN 13: 97808122822908.00. Seller Inventory # ABE-1705612973502
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Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. Seller Inventory # M0812282299Z3
Seller: Kenneth A. Himber, Lebanon, NJ, U.S.A.
Hardcover. Condition: As New. First Printing. Book is a clean tight unmarked copy. Seller Inventory # 005538
Seller: Kenneth A. Himber, Lebanon, NJ, U.S.A.
Hardcover. Condition: As New. Dust Jacket Condition: Very Good. First Printing. Book is a clean tight unmarked copy. Seller Inventory # 022081
Seller: Kenneth A. Himber, Lebanon, NJ, U.S.A.
Hardcover. Condition: As New. Dust Jacket Condition: Very Good +. First Printing. Book is a clean tight unmarked copy. Dust jacket is slightly scuffed and bumped on top corner edges. Seller Inventory # 002430
Seller: Kenneth A. Himber, Lebanon, NJ, U.S.A.
Hardcover. Condition: As New. Dust Jacket Condition: As New. First Printing. Book is a clean tight unmarked copy. Seller Inventory # 008660
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Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Hardback. Condition: New. In this book Peter J. Bellis aims to show how Melville's career is shaped by his desire to define and represent the self, to find a secure identity on which to base personal and social relations. Using Typee, Pierre, White-Jacket, Redburn, Billy Budd, and Moby-Dick as models, Bellis isolates three forms of selfhood-the integrity of the physical body, the son's genealogical link to his father, and the coherence of an autobiographical text-that Melville explores throughout his work. He shows how, as Melville texts each of these, his work becomes increasingly self-reflexive and self-critical; his search for an absolute ground for both self and text ends by undermining the very authority it would establish. In this Melville differed markedly from Whitman and Thoreau, who did find or create identities for themselves in their writing. Bellis examines Melville's last novel, The Confidence-Man, to show his method as ultimately deconstructive-culminating, in fact, in the abandonment of Melville's own career as a novelist. Seller Inventory # LU-9780812282290