Yiyun Li Gold Boy, Emerald Girl: Stories

ISBN 13: 9780812980158

Gold Boy, Emerald Girl: Stories

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9780812980158: Gold Boy, Emerald Girl: Stories
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In these spellbinding stories, Yiyun Li, a Hemingway Foundation/PEN Award winner, a MacArthur Fellow, and one of The New Yorker’s top 20 fiction writers under 40, gives us exquisite stories in which politics and folklore magnificently illuminate the human condition. A professor introduces her middle-aged son to a favorite student, unaware of the student’s true affections. A lifelong bachelor finds kinship with a man wrongly accused of an indiscretion. Six women establish a private investigating agency to battle extramarital affairs in Beijing. Written in lyrical prose and with stunning honesty, Gold Boy, Emerald Girl introduces us to worlds strange and familiar, creating a mesmerizing and vibrant landscape of life.

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Yiyun Li on Gold Boy, Emerald Girl

A childhood memory that my sister and I shared, though from slightly different angles, was a lost two-yuan bill. She was seven, and I was three, and on this summer day she was in charge of taking care of me and buying two yuan worth of pork, which, in 1976, would count as half of our monthly meat ration.

The waiting line at the meat counter was long. I was hot, and bored, and made a fuss to hold the bill for my sister while she struggled not to lose the ration book, or me, or her position in the line. She had me promise not to let the money go from my grasp many times before putting it in my hand; I walked in and out of the line, holding the money tightly, but the next thing I knew, when I looked again the money was gone from my hand, and in its place I had a piece of scrap paper.

My sister received a memorable beating for the lost bill from our mother. I received no such punishment, but had my first experience of remorse. For days after I would try to revise my memory: that I had not asked for the money; that I had held it so securely that it had not been replaced. But remorse, like my sister's pains from the beating or from being the less favored daughter, takes its course to become less engrossing, so the episode becomes a joke between us, standing in for all the things we can and cannot possibly laugh about. What I find more fascinating, though, is how the money was replaced: my parents believed that I dropped the money and picked up something else in its place; I, however, knowing even then the significance of two-yuan bill, believed that I had not let the money go until someone, not by force but by guile, got the money out of my hand and repaid me with the scrap paper. Either possibility would make sense; either could make a story with a happy ending: the one who deceived a small child and the one who spotted a lost bill could both, at the end of the day, celebrate their good fortune.

All the stories in Gold Boy, Emerald Girl, like the episode with the lost money, came from situations--both Chinese and American--that could lead to different stories. The versions I chose to tell, I hope, have neither villains nor victims in them but people who have both taken from others and have been taken from, who have both deceived and been deceived, and who are as lonely as you and I.

©2010 by Yiyun Li

About the Author:

Yiyun Li is the author of four works of fiction—Kinder Than Solitude, A Thousand Years of Good Prayers, The Vagrants, and Gold Boy, Emerald Girl—and the memoir Dear Friend, from My Life I Write to You in Your Life. A native of Beijing and a graduate of the Iowa Writers’ Workshop, she is the recipient of many awards, including a PEN/Hemingway Award and a MacArthur Foundation fellowship, and was named by The New Yorker as one of the “20 Under 40” fiction writers to watch. Her work has appeared in The New Yorker, A Public Space, The Best American Short Stories, and The O. Henry Prize Stories, among other publications. She teaches at Princeton University and lives in Princeton, New Jersey, with her husband and their two sons.

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