Good translators must somehow avoid the dangers of mere literalism on the one hand and creative embellishments on the other. Hadas has succeeded admirably by offering rhythmical and accurate translations of a wide variety of texts by Tibullus, Seneca, Hugo, Baudelaire, Mallarme, Rimbaud, LaForgue, Valery, and the modern Greek poet Konstantine Karyotakis, among others. Nostalgia, ennui, melancholy, and grief are the dominant tones of these poems, which speak poignantly of love lost and the inexorable passage of time. Hadas often finds a contemporary phrase to formulate an older writer's meaning. Thus, Tibullus can say that love protects him from "the switchblade knife" while LaForgue is "suddenly zapped by lightning." Some readers may miss the presence of en face texts in the original languages, but the author's assertion that she did this work purely "for the pleasure" is apparent throughout. Recommended for larger collections.
- Daniel L. Guillory, Millikin Univ., Decatur, Ill.
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Rachel Hadas's numerous books include a memoir, Strange Relation, (2011) and eleven books of poetry, most recently The Golden Road (2012). A new book of poems, Questions in the Vestibule, is forthcoming in 2016. She has also translated tragedies by Euripides and Seneca, coedited an anthology of Greek poetry in translation from Homer to the present, and edited an anthology of work by poets in a workshop she initiated at Gay Men's Health Crisis. A frequent reviewer and columnist for the Times Literary Supplement, Hadas lives in New York City with her husband and collaborator, artist Shalom Gorewitz. She is Board of Governors Professor of English at Rutgers University-Newark.
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Seller: Ergodebooks, Houston, TX, U.S.A.
Softcover. Condition: New. 1st. Good translators must somehow avoid the dangers of mere literalism on the one hand and creative embellishments on the other. Hadas has succeeded admirably by offering rhythmical and accurate translations of a wide variety of texts by Tibullus, Seneca, Hugo, Baudelaire, Mallarme, Rimbaud, LaForgue, Valery, and the modern Greek poet Konstantine Karyotakis, among others. Nostalgia, ennui, melancholy, and grief are the dominant tones of these poems, which speak poignantly of love lost and the inexorable passage of time. Hadas often finds a contemporary phrase to formulate an older writer's meaning. Thus, Tibullus can say that love protects him from "the switchblade knife" while LaForgue is "suddenly zapped by lightning." Some readers may miss the presence of en face texts in the original languages, but the author's assertion that she did this work purely "for the pleasure" is apparent throughout. Recommended for larger collections.- Daniel L. Guillory, Millikin Univ., Decatur, Ill. Seller Inventory # DADAX0813520681
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Seller: Ergodebooks, Houston, TX, U.S.A.
Softcover. Condition: Good. 1st. Good translators must somehow avoid the dangers of mere literalism on the one hand and creative embellishments on the other. Hadas has succeeded admirably by offering rhythmical and accurate translations of a wide variety of texts by Tibullus, Seneca, Hugo, Baudelaire, Mallarme, Rimbaud, LaForgue, Valery, and the modern Greek poet Konstantine Karyotakis, among others. Nostalgia, ennui, melancholy, and grief are the dominant tones of these poems, which speak poignantly of love lost and the inexorable passage of time. Hadas often finds a contemporary phrase to formulate an older writer's meaning. Thus, Tibullus can say that love protects him from "the switchblade knife" while LaForgue is "suddenly zapped by lightning." Some readers may miss the presence of en face texts in the original languages, but the author's assertion that she did this work purely "for the pleasure" is apparent throughout. Recommended for larger collections.- Daniel L. Guillory, Millikin Univ., Decatur, Ill. Seller Inventory # SONG0813520681
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