Overcoming All Obstacles: The Women of the Académie Julian is the first book to examine late nineteenth-century Paris's most famous training ground for the leading women artists of the period. The Académie Julian was founded in Paris in 1868, initially to prepare students for entry to the Ecole des Beaux-Arts, the nineteenth-century's preeminent art school. Because women could not study at the Ecole des Beaux-Arts until 1897, Julian itself became an international equivalent for many of the late nineteenth- and early twentieth-century's most important women artists.
Not only does Overcoming All Obstacles introduce the reader to many works by women artists-both famous and lesser known-but the essays offer a cultural and historical context in which to appreciate their art. Gabriel Weisberg's essay concentrates on the rigorous training methods enforced by Rodolphe Julian and the teachers at the Academy. Jane Becker explores the competitive environment of the Julian Academy as it affected the Ukrainian painter Marie Bashkirtseff and the Swiss painter Louise-Catherine Breslau. Essays by Catherine Fehrer, the leading scholar of the Académie Julian, and Tamar Garb, an art historian who focuses on the training of women artists, give us a richer understanding of the Académie Julian's place in the sphere of art education in late nineteenth-century Paris.
Generously illustrated with both color and black-and-white images, this volume includes documentary photographs and caricatures that have never before been reproduced. The core of the book draws on the large collection of the Académie Julian Del Debbio, the Académie Julian's successor institution in Paris. This publication accompanied an exhibition organized by the Dahesh Museum in New York that opened after its exhibition at the Sterling and Francine Clark Art Institute in Williamstown. The exhibition subsequently continued to the Dixon Gallery and Gardens, Memphis.
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GABRIEL P. WEISBERG is professor of art history at the University of Minnesota and author of numerous essays and books on French art of this period. He is guest curator for this exhibit.
JANE R. BECKER is the former assistant curator of the Dahesh Museum.
This volume introduces with aplomb a recently discovered, otherwise unknown treasure trove of archives and works of 19th-century art to a wider general public. These records, artworks, and caricatures survived in the Acad?mie Julian Del Debbio, the successor to the famous 19th-century Paris Acad?mie Julian. Since women could not study at the official state Ecole des Beaux-Arts, the Acad?mie Julian was virtually the only art educational institution available to them. The catalog of a traveling exhibition organized by the Dahesh Museum in New York, this work contains over 90 small illustrations drawn from the archives. Most are paintings and drawings by unknown or little-known women artists and will be studied today more for historical than aesthetic reasons. Catherine Fehrer writes of her search and recovery of the documents, Weisberg contributes an essay on the women of the Acad?mie Julian, Becker writes of the rivalry between Marie Bashkirtseff and Louise Breslau, and Tamar Garb provides discourse on gendering and art education. It is not overstatement to say this book is invaluable and the exhibition is not to be missed.
-Mary Hamel-Schwulst, Towson Univ., MD
Copyright 1999 Reed Business Information, Inc.
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Book Description Rutgers University Press, 1999. Hardcover. Book Condition: New. Never used!. Bookseller Inventory # P110813527554
Book Description Rutgers University Press. Hardcover. Book Condition: New. 0813527554 New Condition. Bookseller Inventory # NEW7.2029532
Book Description Rutgers University Press, 1999. Hardcover. Book Condition: New. Hardcover and dust jacket. Fine binding and cover. Clean, unmarked pages. Ships daily. Bookseller Inventory # 1404210008
Book Description Rutgers University Press, 1999. Hardcover. Book Condition: New. book. Bookseller Inventory # M0813527554