Writing in Light: The Silent Scenario and the Japanese Pure Film Movement (Contemporary Approaches to Film and Media Series)

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9780814329610: Writing in Light: The Silent Scenario and the Japanese Pure Film Movement (Contemporary Approaches to Film and Media Series)
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While most people associate Japanese film with modern directors like Akira Kurosawa, Japan's cinema has a rich tradition going back to the silent era. Japan's "pure film movement" of the 1910s is widely held to mark the birth of film theory as we know it and is a touchstone for historians of early cinema. Yet this work has been difficult to access because so few prints have been preserved.

Joanne Bernardi offers the first book-length study of this important era, recovering a body of lost film and establishing its significance in the development of Japanese cinema. Building on a wealth of original-language sources-much of it translated here for the first time-she examines how the movement challenged the industry's dependence on pre-existing stage repertories, preference for lecturers of intertitles, and the use of female impersonators.

Bernardi provides in-depth analysis of key scripts-The Glory of Life, A Father's Tears, Amateur Club, and The Lust of the White Serpent-and includes translations in an appendix. These films offer case studies for understanding the craft of screenwriting during the silent era and shed light on such issues as genre, authorship and control, and gender representation.

Writing in Light helps fill important gaps in the history of Japanese silent cinema. By identifying points at which "pure film" discourse merges with changing international trends and attitudes toward film, it offers an important resource for film, literary, and cultural historians.

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Book Description:

A new look at an important era of Japanese cinema, featuring translations of key scripts.

About the Author:

Joanne Bernardi is an associate professor of Japanese and film at the University of Rocherster. Her Writing has appeared in Film and the First World War (Amersterdam University Press, 1995) and Currents in Japanese Culture: Translations and Transformations (Columbia University Press, 1997).

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Book Description Wayne State University Press, United States, 2001. Paperback. Condition: New. Language: English . Brand New Book. While most people associate Japanese film with modern directors like Akira Kurosawa, Japan s cinema has a rich tradition going back to the silent era. Japan s pure film movement of the 1910s is widely held to mark the birth of film theory as we know it and is a touchstone for historians of early cinema. Yet this work has been difficult to access because so few prints have been preserved. Joanne Bernardi offers a study of this important era, recovering a body of lost film and establishing its significance in the development of Japanese cinema. Building on a wealth of original-language sources she examines how the movement challenged the industry s dependence on pre-existing stage repertoires, preferences for lecturers over intertitles, and the use of female impersonators. Bernardi provides in-depth analysis of key scripts - The Glory of Life , A Father s Tears , Amateur Club and The Lust of the White Serpent - and includes translations in an appendix. These films offer case studies for understanding the craft of screenwriting during the silent era and shed light on such issues as genre, authorship and control, and gender representation. Writing in Light helps fill gaps in the history of Japanese silent cinema. By identifying points at which pure film discourse merges with changing international trends and attitudes toward film, it should offer an important resource for film, literary and cultural historians. Seller Inventory # AAN9780814329610

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Book Description Wayne State University Press. Paperback. Condition: New. 360 pages. Dimensions: 9.0in. x 6.0in. x 0.9in.While most people associate Japanese film with modern directors like Akira Kurosawa, Japans cinema has a rich tradition going back to the silent era. Japans pure film movement of the 1910s is widely held to mark the birth of film theory as we know it and is a touchstone for historians of early cinema. Yet this work has been difficult to access because so few prints have been preserved. Joanne Bernardi offers the first book-length study of this important era, recovering a body of lost film and establishing its significance in the development of Japanese cinema. Building on a wealth of original-language sources-much of it translated here for the first time-she examines how the movement challenged the industrys dependence on pre-existing stage repertories, preference for lecturers of intertitles, and the use of female impersonators. Bernardi provides in-depth analysis of key scripts-The Glory of Life, A Fathers Tears, Amateur Club, and The Lust of the White Serpent-and includes translations in an appendix. These films offer case studies for understanding the craft of screenwriting during the silent era and shed light on such issues as genre, authorship and control, and gender representation. Writing in Light helps fill important gaps in the history of Japanese silent cinema. By identifying points at which pure film discourse merges with changing international trends and attitudes toward film, it offers an important resource for film, literary, and cultural historians. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Seller Inventory # 9780814329610

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