Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy (Series in Fairy-Tale Studies)

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9780814335093: Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy (Series in Fairy-Tale Studies)

To the uninitiated, the films of French New Wave director Jacques Demy can seem strange and even laughable, with their gaudy color schemes and sung dialogue. Yet since the late 1990s, a generation of queer filmmakers in France have found new inspiration in Demy's cinema. In this volume, author Anne E. Duggan examines Jacques Demy's queer sensibility in connection with another understudied characteristic of his oeuvre: his recurrent use of the fairy tale. In Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy, Duggan demonstrates that Demy uses fairy-tale devices to explore and expand the identity categories of his characters, while he broadens the possibilities of the genre of the fairy tale through his cinematic revisions.

In each chapter, Duggan examines how Demy strategically unfolds, challenges, and teases out the subversive qualities of fairy-tale paradigms. In chapter 1, Duggan reads Demy's Lola and The Umbrellas of Cherbourg through the lens of "Cinderella" and "Sleeping Beauty," while in chapter 2, she explores Demy's revision of Charles Perrault's "Donkey Skin" from the particular angle of gay aesthetics. In chapter 3, Duggan situates Demy's rendition of The Pied Piper in relation to a specifically Franco-American tradition of the legend, which thus far has not received critical attention. Finally, in Chapter 4, she examines the ways in which Demy's Lady Oscar represents the undoing of the figure of the maiden warrior. An epilogue reads Demy's fairy-tale cinema as exemplary of the postmodern tale.

Duggan shows that Demy's cinema heightens the inherent tensions and troubles that were already present in fairy-tale texts and uses them to illustrate both the constraints and utopian possibilities of the fairy tale. Both film and fairy-tale studies scholars will enjoy Duggan's fresh look at the distinctive cinema of Jacques Demy.

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Book Description:

Examines director Jacques Demy's use of the fairy tale as a means to explore issues of gender, sexuality, and class.

About the Author:

Anne E. Duggan is associate professor of French and director of the Gender, Sexuality, and Women's Studies program at Wayne State University. She is author of Salonnières, Fairies, and Furies: The Politics of Gender and Cultural Change in Absolutist France and associate editor of Marvels & Tales: Journal of Fairy-Tale Studies.

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Book Description Wayne State University Press, United States, 2013. Paperback. Book Condition: New. Language: English . Brand New Book. To the uninitiated, the films of French New Wave director Jacques Demy can seem strange and even laughable, with their gaudy colour schemes and sung dialogue. Yet since the late 1990s, a generation of queer filmmakers in France have found new inspiration in Demy s cinema. In this volume, author Anne E. Duggan examines Jacques Demy s queer sensibility in connection with another understudied characteristic of his oeuvre: his recurrent use of the fairy tale. In Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy, Duggan demonstrates that Demy uses fairy-tale devices to explore and expand the identity categories of his characters, while he broadens the possibilities of the genre of the fairy tale through his cinematic revisions. In each chapter, Duggan examines how Demy strategically unfolds, challenges, and teases out the subversive qualities of fairy-tale paradigms. In chapter 1, Duggan reads Demy s Lola and The Umbrellas of Cherbourg through the lens of Cinderella and Sleeping Beauty, while in chapter 2, she explores Demy s revision of Charles Perrault s Donkey Skin from the particular angle of gay aesthetics. In chapter 3, Duggan situates Demy s rendition of The Pied Piper in relation to a specifically Franco-American tradition of the legend, which thus far has not received critical attention. Finally, in Chapter 4, she examines the ways in which Demy s Lady Oscar represents the undoing of the figure of the maiden warrior. An epilogue reads Demy s fairy-tale cinema as exemplary of the postmodern tale. Duggan shows that Demy s cinema heightens the inherent tensions and troubles that were already present in fairy-tale texts and uses them to illustrate both the constraints and utopian possibilities of the fairy tale. Both film and fairy-tale studies scholars will enjoy Duggan s fresh look at the distinctive cinema of Jacques Demy. Bookseller Inventory # AAN9780814335093

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Book Description Wayne State University Press, United States, 2013. Paperback. Book Condition: New. Language: English . Brand New Book. To the uninitiated, the films of French New Wave director Jacques Demy can seem strange and even laughable, with their gaudy colour schemes and sung dialogue. Yet since the late 1990s, a generation of queer filmmakers in France have found new inspiration in Demy s cinema. In this volume, author Anne E. Duggan examines Jacques Demy s queer sensibility in connection with another understudied characteristic of his oeuvre: his recurrent use of the fairy tale. In Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy, Duggan demonstrates that Demy uses fairy-tale devices to explore and expand the identity categories of his characters, while he broadens the possibilities of the genre of the fairy tale through his cinematic revisions. In each chapter, Duggan examines how Demy strategically unfolds, challenges, and teases out the subversive qualities of fairy-tale paradigms. In chapter 1, Duggan reads Demy s Lola and The Umbrellas of Cherbourg through the lens of Cinderella and Sleeping Beauty, while in chapter 2, she explores Demy s revision of Charles Perrault s Donkey Skin from the particular angle of gay aesthetics. In chapter 3, Duggan situates Demy s rendition of The Pied Piper in relation to a specifically Franco-American tradition of the legend, which thus far has not received critical attention. Finally, in Chapter 4, she examines the ways in which Demy s Lady Oscar represents the undoing of the figure of the maiden warrior. An epilogue reads Demy s fairy-tale cinema as exemplary of the postmodern tale. Duggan shows that Demy s cinema heightens the inherent tensions and troubles that were already present in fairy-tale texts and uses them to illustrate both the constraints and utopian possibilities of the fairy tale. Both film and fairy-tale studies scholars will enjoy Duggan s fresh look at the distinctive cinema of Jacques Demy. Bookseller Inventory # AAN9780814335093

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Book Description Wayne State University Press. Paperback. Book Condition: New. 208 pages. Dimensions: 8.9in. x 6.1in. x 0.6in.To the uninitiated, the films of French New Wave director Jacques Demy can seem strange and even laughable, with their gaudy color schemes and sung dialogue. Yet since the late 1990s, a generation of queer filmmakers in France have found new inspiration in Demys cinema. In this volume, author Anne E. Duggan examines Jacques Demys queer sensibility in connection with another understudied characteristic of his oeuvre: his recurrent use of the fairy tale. In Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy, Duggan demonstrates that Demy uses fairy-tale devices to explore and expand the identity categories of his characters, while he broadens the possibilities of the genre of the fairy tale through his cinematic revisions. In each chapter, Duggan examines how Demy strategically unfolds, challenges, and teases out the subversive qualities of fairy-tale paradigms. In chapter 1, Duggan reads Demys Lola and The Umbrellas of Cherbourg through the lens of Cinderella and Sleeping Beauty, while in chapter 2, she explores Demys revision of Charles Perraults Donkey Skin from the particular angle of gay aesthetics. In chapter 3, Duggan situates Demys rendition of The Pied Piper in relation to a specifically Franco-American tradition of the legend, which thus far has not received critical attention. Finally, in Chapter 4, she examines the ways in which Demys Lady Oscar represents the undoing of the figure of the maiden warrior. An epilogue reads Demys fairy-tale cinema as exemplary of the postmodern tale. Duggan shows that Demys cinema heightens the inherent tensions and troubles that were already present in fairy-tale texts and uses them to illustrate both the constraints and utopian possibilities of the fairy tale. Both film and fairy-tale studies scholars will enjoy Duggans fresh look at the distinctive cinema of Jacques Demy. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Bookseller Inventory # 9780814335093

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Book Description Wayne State University Press, United States, 2013. Paperback. Book Condition: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. To the uninitiated, the films of French New Wave director Jacques Demy can seem strange and even laughable, with their gaudy colour schemes and sung dialogue. Yet since the late 1990s, a generation of queer filmmakers in France have found new inspiration in Demy s cinema. In this volume, author Anne E. Duggan examines Jacques Demy s queer sensibility in connection with another understudied characteristic of his oeuvre: his recurrent use of the fairy tale. In Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy, Duggan demonstrates that Demy uses fairy-tale devices to explore and expand the identity categories of his characters, while he broadens the possibilities of the genre of the fairy tale through his cinematic revisions. In each chapter, Duggan examines how Demy strategically unfolds, challenges, and teases out the subversive qualities of fairy-tale paradigms. In chapter 1, Duggan reads Demy s Lola and The Umbrellas of Cherbourg through the lens of Cinderella and Sleeping Beauty, while in chapter 2, she explores Demy s revision of Charles Perrault s Donkey Skin from the particular angle of gay aesthetics. In chapter 3, Duggan situates Demy s rendition of The Pied Piper in relation to a specifically Franco-American tradition of the legend, which thus far has not received critical attention. Finally, in Chapter 4, she examines the ways in which Demy s Lady Oscar represents the undoing of the figure of the maiden warrior. An epilogue reads Demy s fairy-tale cinema as exemplary of the postmodern tale. Duggan shows that Demy s cinema heightens the inherent tensions and troubles that were already present in fairy-tale texts and uses them to illustrate both the constraints and utopian possibilities of the fairy tale. Both film and fairy-tale studies scholars will enjoy Duggan s fresh look at the distinctive cinema of Jacques Demy. Bookseller Inventory # LIE9780814335093

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Book Description Wayne State Univ Pr, 2013. Paperback. Book Condition: Brand New. 195 pages. 9.00x5.90x0.50 inches. In Stock. Bookseller Inventory # __0814335098

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