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In the bustling cities of the mid-nineteenth-century Northeast, young male clerks working in commercial offices and stores were on the make, persistently seeking wealth, respect, and self-gratification. Yet these strivers and "counter jumpers" discovered that claiming the identities of independent men--while making sense of a volatile capitalist economy and fluid urban society--was fraught with uncertainty.
In On the Make, Brian P. Luskey illuminates at once the power of the ideology of self-making and the important contests over the meanings of respectability, manhood, and citizenship that helped to determine who clerks were and who they would become. Drawing from a rich array of archival materials, including clerks' diaries, newspapers, credit reports, census data, advice literature, and fiction, Luskey argues that a better understanding of clerks and clerking helps make sense of the culture of capitalism and the society it shaped in this pivotal era.
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Garland Cannon is Professor of English and Linguistics at Texas A&M University, editor of The Letters of Sir William Jones, and author of the definitive biography, The Life and Mind of Oriental Jones.Review:
"In this fascinating portrait of American striving, Luskey locates the origins of white-collar culture in the precarious world of the antebellum clerk. Luskey's clerks are the forerunners of the men in the gray flannel suits, the ancestors of today's corporate managers, and his examination of their search for success in the uncertain markets of the nineteenth century expands our understanding of how the middle-class was made. Broadly interdisciplinary in scope and eloquent in the telling, On the Make is a valuable addition to the growing list of books that illuminate the cultural and social history of American business."
-Timothy B. Spears, author of "Chicago Dreaming"
"Luskey combines the methods of cultural and social history to accomplish a tricky feat: he maps out, on the one hand, the structural impediments to clerks' quest for "economic capital," and on the other hand, the hazardous discursive field in which they pursued "cultural capital." Making use of diaries, credit reports, manuscript census schedules, and a variety of print media, he skillfully documents the clerk's many travails."-,
"On the Make is essential reading not only for the history of clerks, but as well for the history of manhood, urban life, and class development in antebellum America."-Sharon Ann Murphy, "The Historian"
"More clearly than any previous scholar, Luskey has answered the question 'What, exactly, was a clerk?' Forced to do a wide variety of manual labor, they wore white collars, but in Luskey's clever turn of phrase, the collars often weren't all that white. Nor were all clerks created equal. As both clerks and their employers were well aware, many had limited opportunities for upward mobility. This is not just first rate social history that makes an important contribution to our understanding of the consolidation of class in the nineteenth century, but also first rate cultural history that skillfully teases out the ambiguities of the clerk's place in nineteenth-century popular culture."
-Amy Greenberg, author of "Manifest Manhood and the Antebellum American Empire"
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