How the startling image of an anti-war protested spitting on a uniformed veteran misrepresented the narrative of Vietnam War political debate
One of the most resilient images of the Vietnam era is that of the anti-war protester ― often a woman ― spitting on the uniformed veteran just off the plane. The lingering potency of this icon was evident during the Gulf War, when war supporters invoked it to discredit their opposition.
In this startling book, Jerry Lembcke demonstrates that not a single incident of this sort has been convincingly documented. Rather, the anti-war Left saw in veterans a natural ally, and the relationship between anti-war forces and most veterans was defined by mutual support. Indeed one soldier wrote angrily to Vice President Spiro Agnew that the only Americans who seemed concerned about the soldier's welfare were the anti-war activists.
While the veterans were sometimes made to feel uncomfortable about their service, this sense of unease was, Lembcke argues, more often rooted in the political practices of the Right. Tracing a range of conflicts in the twentieth century, the book illustrates how regimes engaged in unpopular conflicts often vilify their domestic opponents for "stabbing the boys in the back."
Concluding with an account of the powerful role played by Hollywood in cementing the myth of the betrayed veteran through such films as Coming Home, Taxi Driver, and Rambo, Jerry Lembcke's book stands as one of the most important, original, and controversial works of cultural history in recent years.
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Jerry Lembcke grew up in Northwest Iowa. He was drafted in 1968 and served as a Chaplain’s Assistant in Vietnam. He is the author of eight books including The Spitting Image, CNN’s Tailwind Tail, and Hanoi Jane. His opinion pieces have appeared in The New York Times, Boston Globe, and The Chronicle of Higher Education. He is presently Associate Professor of Sociology, Emeritus, at Holy Cross College and Distinguished Lecturer for the Organization of American Historians.
No, Holy Cross College sociology professor Lembcke can't prove a negative, but he makes a strong case that tales of antiwar activists spitting at returning vets are myth. Lembcke, a Nam vet who was active in Vietnam Veterans Against the War, opens with Persian Gulf War politicians' use of "the spitting image" and then traces Nixon and Agnew's agitated response to antiwar activism by GIs and veterans. He notes that contemporary media, government, and polling data show no evidence of antiwar spitting incidents; the few events reported had supporters of the war targeting opponents. But later studies reported hostility toward veterans; "the spitting image" epitomized that narrative. Similar images were common in post-World War I Germany and France after Indochina; Lembcke suggests the Nixon administration cultivated this notion of betrayal because it stigmatized both the antiwar movement and veterans against the war. With development of a new psychiatric diagnosis, post-traumatic stress disorder, a good vet/bad vet split was complete, and Hollywood films shifted attention from the war itself to its GI victims. Mary Carroll
Images of long-haired antiwar protesters, almost always women, spitting on returning Vietnam veterans have become a shameful part of America's collective memory. Lembcke (sociology, Holy Cross Univ.), a member of Vietnam Veterans Against the War, here presents a stunning indictment of this myth?an illusion created, he maintains, by the Nixon-Agnew administration and an unwitting press to attribute America's loss in Vietnam to internal dissension. In fact, the antiwar movement and many veterans were closely aligned, and the only documented incidents show members of the VFW and American Legion spitting on their less successful Vietnam peers. But Lembcke's most controversial conclusion is that posttraumatic stress disorder was as much a political creation?a means of discrediting returning vets who protested the war as unhinged?as it was a medical condition. The image of the psycho-vet was furthered through such Hollywood productions as The Deer Hunter and Coming Home. This forceful investigation challenges the reader to reexamine assumptions about the dark side of American culture that glorifies war more than peace. Highly recommended for large public libraries and for all academic peace studies collections.?Karl Helicher, Upper Merion Twp. Lib., King of Prussia, PA
Copyright 1998 Reed Business Information, Inc.
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