The Unruly Life of Woody Allen: A Biography - Softcover

Meade, Marion

3.49

211 ratings by Goodreads

9780815411499: The Unruly Life of Woody Allen: A Biography

Softcover

ISBN 10: 0815411499 ISBN 13: 9780815411499

Publisher: UNKNO, 2001

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Comedian and filmmaker Woody Allen's closely guarded privacy came to an end in 1992 when he began a romantic relationship with then-wife Mia Farrow's adopted daughter, Soon-Yi Previn. Up until that point, Allen had managed to portray his neuroses as a joke; after his break-up with Farrow, the public regarded Allen in a new light. In her biography, Meade reveals Allen to be a man as deeply troubled as he is remarkably talented. A director, actor, author, and clarinetist, Allen has won several Oscars and toured the world with his jazz band. He also spent decades considering suicide every day, and maintained a fierce control of his portrayal by the media. Through numerous interviews with childhood friends, colleagues from his days as a television writer and standup comic, actors who've worked with him, and numerous people in the film industry, Meade creates a challenging and well-rounded portrait of this familiar figure.

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Review:

Woody Allen once controlled the press like his actors--and as critic Andrew Sarris observed, Woody "is almost a ventriloquist and all his actors are marionettes. It's his nature. He has to be on top." The Soon-Yi scandal cost him $7 million and his protected reputation, and now we've got Marion Meade's unblinking look at his blighted life (superior to John Baxter's Woody Allen, not quite as good as Meade's Dorothy Parker: What Fresh Hell Is This?). The son of a loveless dad and mom who respectively ignored and beat him daily, Woody grew up mean, scarred, and scared: he slept with a night-light until his early 40s and considered suicide daily until at least age 51. His uncanny gift for comedy gave him no comfort, but movies did. His most autobiographical character is Cecilia in The Purple Rose of Cairo, who took refuge in theaters from "the ugly light" of real life.

Boy, does Meade cast ugly light on Woody and his work. His best role for a woman, Annie Hall, is "basically stupid," as Diane Keaton said. In life and art, Woody sought leading ladies he could dominate. He stalled Mia forever before granting her the right to keep her shampoo at his apartment "alongside toiletries belonging to Diane Keaton, preserved there like so many fossilized relics in King Tut's tomb for more than a decade." Mia was horrified that he spilled her family's nasty secrets in Hannah and Her Sisters, and fretted over his obsession with Keaton and her sisters, Mariel Hemingway's sister, and Mia's own sister Steffi--whose photos she discovered (shades of Soon-Yi!) in his apartment. Woody's lovable persona was as fake as his transplanted, dyed hair. And Mia's no sweetheart herself: having caught her scuzzy dad with Ava Gardner one night as a child, she married Ava's squeeze Frank Sinatra at 19, and then stole her friend Dory Previn's husband, Andr�, saying, "You don't fight what feels good."

If Meade's sour, thorough tome is true, nobody in Hollywood fights what feels good, and they all come out looking pretty bad. --Tim Appelo

About the Author:

Marion Meade is the author of Dorothy Parker: What Fresh Hell Is This? and Buster Keaton: Cut to the Chase. She lives in New York City.

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