Oxford Bodleian Library Douce 104 is the only extant manuscript of William Langland's fourteenth-century poem Piers Plowman that is both illustrated and annotated, thereby providing material evidence of interpretation by professional readers - the artists, scribes, and annotators who constructed the work's meaning in an early fifteenth-century Anglo-Irish colonial context.
Kathryn Kerby-Fulton and Denise L. Despres examine this evidence for what it can tell us about the politics of late-medieval manuscript preparation and the scholarly direction of manuscript use. A study of great significance for medieval scholars, Iconography and the Professional Reader forcefully argues the importance of professional readers and utility-grade manuscripts in comprehending the meditative, mnemonic, performative, and subversive nature of late-medieval reading.
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Kathryn Kerby-Fulton is professor of English at the University of Victoria, British Columbia, and a member of the Institute for Advanced Study, Princeton University.
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Book Description Univ Of Minnesota Press, 1998. Hardcover. Book Condition: New. 1. Bookseller Inventory # DADAX0816629765
Book Description Univ Of Minnesota Press, 1998. Hardcover. Book Condition: New. book. Bookseller Inventory # M0816629765