A highly engaging, taboo-breaking study of feminist contemporary art
Feminist motherhood is a surprisingly unexplored subject. In fact, feminism and motherhood have been often thought of as incompatible.
Profound, provocative, and innovative, Feminist Art and the Maternal is the first work to critically examine the dilemmas and promises of representing feminist motherhood in contemporary art and visual culture. Andrea Liss skillfully incorporates theory with passionate personal reflections on the maternal, and in doing so she advances a fresh and necessary perspective on both feminism and art.Offering new research on works by well-known and emerging artists who approach feminist motherhood issues from their own knowledge and experiences, Liss explores a wide range of examples from the challenging to the taboo, including Mary Kelly’s Post-Partum Document, Mierle Laderman Ukeles’s Maintenance Art projects, Renée Cox’s Yo’ Mama portraits, and Ngozi Onwurah’s film The Body Beautiful. Liss considers traditional characteristics that mothers are assumed to possess, such as nurturing, empathy, and sacrifice for their children—qualities that paradoxically have negatively defined women as “sentimental”—and assertively revalues them within both motherhood and feminism. Throughout, she deftly intertwines theoretical analysis with the arresting and enlightening first-person voices of artist-mothers and their children.Putting forth an original ethics of feminism and the maternal—how to be in the place of the other and inside one’s self, how to care for another and one’s self—Liss reconceives the mother-child relationship as a model for relations among races, genders, and ages and radically reinterprets maternal traits as vital forms of social, artistic, and political address."synopsis" may belong to another edition of this title.
Andrea Liss is the contemporary art historian and cultural theorist at California State University, San Marcos, where her teaching focuses on feminist art and theory, photographic theory, and representations of memory and history. She is the author of Trespassing through Shadows: Memory, Photography, and the Holocaust (Minnesota, 1998).
"About this title" may belong to another edition of this title.
Seller: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Seller Inventory # 0816646236-11-1
Seller: Your Book Basket, Mechanicsburg, PA, U.S.A.
Paperback. Condition: Good. Good - . In good condition. Seller Inventory # 37353
Seller: GridFreed, San Diego, CA, U.S.A.
paperback. Condition: Very Good. Dedicated and inscribed by author. Otherwise As New. Seller Inventory # 200-09172
Seller: GoldBooks, Denver, CO, U.S.A.
Paperback. Condition: new. New Copy. Customer Service Guaranteed. Seller Inventory # 10A33_28_0816646236