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André Bazin is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit. Bazin’s French Cinema from the Liberation to the New Wave, 1945-1958 contains, for the first time in English, nearly all of his writings about the practitioners as well as the predecessors of the French New Wave, a movement that had a profound impact on the evolution of cinematic style and subject matter.
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Bert Cardullo is Professor of Media and Communication at the Izmir University of Economics in Izmir, Turkey, where he teaches courses in film history, theory, and criticism. Born in New York City, he was educated at the University of Florida, Tulane, and Yale. His essays and reviews have appeared in such journals as the Yale Review, Cambridge Quarterly, Cinema Journal, and The New Republic; and he is the author, editor, or translator of a number of books on film and drama, the most recent of which are World Directors in Dialogue: Conversations on Cinema and André Bazin and Italian NeorealismLanguage Notes:
Text: English (translation)
Original Language: French
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