The story of David Hockney, one of the most widely acclaimed of all living artists, is one of passion: passion for seeing, passion for telling, passion for images. But to these should be added the passion for life. Hockney's art is a celebration of what it is to be alive. All of his pictures-sometimes tender, as when he draws close friends and family; sometimes playful, as in his paintings of lazy, carefree days at the pool; sometimes awe-inspiring, as with his monumental images of the Grand Canyon-convey what it means to be in the world, to see it, to move in it, to love it. This constant exploration of how to communicate such feelings through his work emerges with particular clarity in this stunning, lively volume, which charts almost fifty years of extraordinary creativity. Hockney's Pictures is the first definitive "retrospective" to show the evolution and diversity of Hockney's prolific paintings, drawings, watercolors, prints, and photography, including new and published works. The pieces, presented thematically, are selected and organized by David Hockney himself, and track Hockney's lifelong experiments in ways of looking and depicting. With 325 illustrations, accompanied by extensive quotes from the artist himself that illuminate the passionate thinking behind the work, Hockney's Pictures is destined to become a classic. David Hockney is Britain's most celebrated living artist and one of the most popular artists working today. His pieces are in the permanent collections of major museums internationally, and his book Secret Knowledge was one of the bestselling art books of 2001.
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David Hockney is Britain's most celebrated living artist and one of the most popular artists working today. His work is in the permanent collections of major museums internationally, and his book The Secret Knowledge was one of the best-selling art books of 2001.
In a book with so few words, this quote from Hockney rings out clearly: "I have always believed that art should be a deep pleasure." And it is indeed pleasure that radiates from every page of this retrospective of the British-born artist's career. Starting with his student work of the early 1960s, Hockney has depicted quiet domestic pleasures, the faces of friends and the monuments of foreign countries with an unwavering joy in looking and seeing, even as he has employed a restless array of mediums, including oil, photo-collage, pressed paper pulp and quick, intimate watercolors. The accessibility of Hockney's art has earned him both popular success and jeers from some quarters of the art world that tend to favor "edginess" over happiness. This collection, which is compiled by the artist himself and includes his conversational commentary in the margins, not only gloriously documents Hockney's career, but also provides a riposte to those who see him as a shallow technician of pretty surfaces. The book is divided into sections that showcase Hockney's brainy engagement with the classic problems of modern art ("Problems of Depiction: Movement," "Space and Light"). The case for Hockney's seriousness may have come at the expense of his playful, mischievous side, however. There would have been more than enough material for an amusing section on the male rear end, for example, which has been as much of a Hockney theme as his famous preoccupation with water. But the book's theory-heavy arrangement is unobtrusive. There is only the briefest of introductory text, and captions are confined to titles and dates (full information on each picture is tucked away in an index). The art is allowed to speak for itself and the result is, once again, pure pleasure.
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Book Description Bulfinch, 2004. Hardcover. Book Condition: New. Never used!. Bookseller Inventory # P110821228730
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Book Description Bulfinch, 2004. Hardcover. Book Condition: New. 1st American Edition. Bookseller Inventory # DADAX0821228730