"Marvelous . . . the conceit is elegantly of a piece, yet Hwang is able to keep turning it in on itself to reveal new ambiguities, absurdities, subversions and paradoxes."--"Chicago Reader""Hwang's plays collectively chart the evolving definition of what it is to be an 'American.' . . . His art has illuminated and anticipated our ongoing national story with a sensibility unlike any other in the American theater."--Frank RichSpringing from the author's personal experiences in China over the past five years, "Chinglish" follows a Midwestern American businessman desperately seeking to score a lucrative contact for his family's firm as he travels to China only to discover how much he doesn't understand. Named for the unique and often comical third language that evolves from attempts to translate Chinese signs into English, "Chinglish" explores the challenges of doing business in a culture whose language--and ways of communicating--are worlds apart from our own. David Henry Hwang's "best new work since "M. Butterfly," this shrewd, timely and razor-sharp comedy" ("Chicago Tribune") received its Broadway premiere in fall 2011.David Henry Hwang is the author of the Tony Award-winning "M. Butterfly," the Pulitzer Prize-finalist "Yellow Face," "Golden Child," "FOB," "Family Devotions," and the books for musicals "Aida" (as co-author), "Flower Drum Song" (2002 Broadway revival), and "Tarzan," among other works.
"synopsis" may belong to another edition of this title.
Throughout his career, playwright DAVID HENRY HWANG has explored the complexities of forging Eastern and Western cultures in a contemporary America. His extraordinary body of work, over the past 30 years, has been marked by a deep desire to reaffirm the common humanity in all of us. He is best known as the author of M. Butterfly, which won the 1988 Tony, Drama Desk, John Gassner, and Outer Critics Circle Awards, and was also a finalist for the 1989 Pulitzer Prize. The play enjoyed a one-year run on London's West End and has been produced in over four dozen countries to date. His play Golden Child premiered Off-Broadway at the Joseph Papp Public Theater, received a 1997 Obie Award for playwriting and subsequently moved to Broadway, where it received three 1998 Tony Nominations, including Best New Play. His play, Yellow Face, which premiered at Los Angeles’ Mark Taper Forum and New York's Public Theater, won a 2008 Obie Award and was a finalist for the Pulitzer Prize.
Language: English and Chinese
"Fresh, funny, energetic and unlike anything else on Broadway. Chinglish is a thoughtful, funny and poignant piece in which, miraculously, nothing gets lost in translation.” Associated Press
"A witty study in modern-day miscommunication, that erupts into explosive laughter." Michael Sommers, New Jersey Newsroom
"Marvelous . . . the conceit is elegantly of a piece, yet Hwang is able to keep turning it in on itself to reveal new ambiguities, absurdities, subversions and paradoxes." Tony Adler, Chicago Reader
"Hwang's plays collectively chart the evolving definition of what it is to be an 'American.' . . . His art has illuminated and anticipated our ongoing national story with a sensibility unlike any other in the American theater." Frank Rich, New York Times
Cultural Advice: Go see Chinglish! Engaging and 100% recognizable.” James Fallows, Atlantic
Hwang’s text has no weaknesses, the product of a deft writer and observer of human nature working at the top of his game. His tragicomic masterpiece of failed communication captures the complexities of all human relationships.” Eric Marchese, Backstage
"Fresh, funny, energetic and unlike anything else on Broadway. Chinglish is a thoughtful, funny and poignant piece in which, miraculously, nothing gets lost in translation.” –Associated Press
"A witty study in modern-day miscommunication, that erupts into explosive laughter." ―Michael Sommers, New Jersey Newsroom
"Marvelous . . . the conceit is elegantly of a piece, yet Hwang is able to keep turning it in on itself to reveal new ambiguities, absurdities, subversions and paradoxes."―Tony Adler, Chicago Reader
"Hwang's plays collectively chart the evolving definition of what it is to be an 'American.' . . . His art has illuminated and anticipated our ongoing national story with a sensibility unlike any other in the American theater."―Frank Rich, New York Times
“Cultural Advice: Go see Chinglish! Engaging and 100% recognizable.” –James Fallows, Atlantic
“Hwang’s text has no weaknesses, the product of a deft writer and observer of human nature working at the top of his game. His tragicomic masterpiece of failed communication captures the complexities of all human relationships.” –Eric Marchese, Backstage
"About this title" may belong to another edition of this title.
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 48743650-6
Seller: Better World Books: West, Reno, NV, U.S.A.
Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 18340509-6
Seller: The Yard Sale Store, Narrowsburg, NY, U.S.A.
Paperback. Condition: Acceptable. THE SCRIPT! Not so pretty. ACTING EDITION SCRIPT will serve as a useful Starving Student Edition when you need an extra! Some shelf wear and edge wear. Rough covers. .Some markings by the former actor. Economically priced ACTING EDITION for your performance needs. Book. Seller Inventory # 23738697000221
Seller: YESIBOOKSTORE, MIAMI, FL, U.S.A.
paperback. Condition: As New. Seller Inventory # 0822225956-VB