Experimental Ethnography: The Work of Film in the Age of Video

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9780822323198: Experimental Ethnography: The Work of Film in the Age of Video

Experimental film and ethnographic film have long been considered separate, autonomous practices on the margins of mainstream cinema. By exploring the interplay between the two forms, Catherine Russell throws new light on both the avant-garde and visual anthropology.
Russell provides detailed analyses of more than thirty-five films and videos from the 1890s to the 1990s and discusses a wide range of film and videomakers, including Georges Mlis, Maya Deren, Peter Kubelka, Ray Birdwhistell, Jean Rouch, Su Friedrich, Bill Viola, Kidlat Tahimik, Margaret Mead, Tracey Moffatt, and Chantal Akerman. Arguing that video enables us to see film differently—not as a vanishing culture but as bodies inscripted in technology, Russell maps the slow fade from modernism to postmodern practices. Combining cultural critique with aesthetic analysis, she explores the dynamics of historical interruption, recovery, and reevaluation. As disciplinary boundaries dissolve, Russell contends, ethnography is a means of renewing the avant-gardism of “experimental” film, of mobilizing its play with language and form for historical ends. “Ethnography” likewise becomes an expansive term in which culture is represented from many different and fragmented perspectives.
Original in both its choice of subject and its theoretical and methodological
approaches, Experimental Ethnography will appeal to visual anthropologists, as well as film scholars interested in experimental and documentary practices.

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From the Back Cover:

"The breadth and range of this book is fantastic. Russell tackles many interesting problematics and she does so through an eclectic choice of examples. This will stand out as a major and unique redefinition of the fields of experimental cinema and visual anthropology."--Ivone Margulies, author of "Nothing Happens: Chantal Akerman's Hyperrealist Everyday"

About the Author:

Catherine Russell is Associate Professor of Cinema at Concordia University and the author of Narrative Mortality: Death, Closure, and New Wave Cinemas.


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Book Description Duke University Press, United States, 1999. Paperback. Book Condition: New. 232 x 154 mm. Language: English . Brand New Book. Experimental film and ethnographic film have long been considered separate, autonomous practices on the margins of mainstream cinema. By exploring the interplay between the two forms, Catherine Russell throws new light on both the avant-garde and visual anthropology. Russell provides detailed analyses of more than thirty-five films and videos from the 1890s to the 1990s and discusses a wide range of film and videomakers, including Georges Melies, Maya Deren, Peter Kubelka, Ray Birdwhistell, Jean Rouch, Su Friedrich, Bill Viola, Kidlat Tahimik, Margaret Mead, Tracey Moffatt, and Chantal Akerman. Arguing that video enables us to see film differently-not as a vanishing culture but as bodies inscripted in technology, Russell maps the slow fade from modernism to postmodern practices. Combining cultural critique with aesthetic analysis, she explores the dynamics of historical interruption, recovery, and reevaluation. As disciplinary boundaries dissolve, Russell contends, ethnography is a means of renewing the avant-gardism of experimental film, of mobilizing its play with language and form for historical ends. Ethnography likewise becomes an expansive term in which culture is represented from many different and fragmented perspectives. Original in both its choice of subject and its theoretical and methodological approaches, Experimental Ethnography will appeal to visual anthropologists, as well as film scholars interested in experimental and documentary practices. Bookseller Inventory # AAZ9780822323198

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Book Description Duke University Press, United States, 1999. Paperback. Book Condition: New. 232 x 154 mm. Language: English . Brand New Book. Experimental film and ethnographic film have long been considered separate, autonomous practices on the margins of mainstream cinema. By exploring the interplay between the two forms, Catherine Russell throws new light on both the avant-garde and visual anthropology. Russell provides detailed analyses of more than thirty-five films and videos from the 1890s to the 1990s and discusses a wide range of film and videomakers, including Georges Melies, Maya Deren, Peter Kubelka, Ray Birdwhistell, Jean Rouch, Su Friedrich, Bill Viola, Kidlat Tahimik, Margaret Mead, Tracey Moffatt, and Chantal Akerman. Arguing that video enables us to see film differently-not as a vanishing culture but as bodies inscripted in technology, Russell maps the slow fade from modernism to postmodern practices. Combining cultural critique with aesthetic analysis, she explores the dynamics of historical interruption, recovery, and reevaluation. As disciplinary boundaries dissolve, Russell contends, ethnography is a means of renewing the avant-gardism of experimental film, of mobilizing its play with language and form for historical ends. Ethnography likewise becomes an expansive term in which culture is represented from many different and fragmented perspectives. Original in both its choice of subject and its theoretical and methodological approaches, Experimental Ethnography will appeal to visual anthropologists, as well as film scholars interested in experimental and documentary practices. Bookseller Inventory # AAZ9780822323198

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Book Description Duke University Press, Durham and London, 1999. Softcover. Book Condition: New. First Printing (Unstated).. 416 pages. Softcover. New book. FILM. Experimental film and ethnographic film have long been considered separate, autonomous practices on the margins of mainstream cinema. By exploring the interplay between the two forms, Catherine Russell throws new light on both the avant-garde and visual anthropology. Russell provides detailed analyses of more than thirty-five films and videos from the 1890s to the 1990s and discusses a wide range of film and videomakers, including Georges Mlis, Maya Deren, Peter Kubelka, Ray Birdwhistell, Jean Rouch, Su Friedrich, Bill Viola, Kidlat Tahimik, Margaret Mead, Tracey Moffatt, and Chantal Akerman. Arguing that video enables us to see film differentlyÑnot as a vanishing culture but as bodies inscripted in technology, Russell maps the slow fade from modernism to postmodern practices. Combining cultural critique with aesthetic analysis, she explores the dynamics of historical interruption, recovery, and reevaluation. As disciplinary boundaries dissolve, Russell contends, ethnography is a means of renewing the avant-gardism of "experimental" film, of mobilizing its play with language and form for historical ends. "Ethnography" likewise becomes an expansive term in which culture is represented from many different and fragmented perspectives. Original in both its choice of subject and its theoretical and methodological approaches, Experimental Ethnography will appeal to visual anthropologists, as well as film scholars interested in experimental and documentary practices. Catherine Russell is Associate Professor of Cinema at Concordia University and the author of Narrative Mortality: Death, Closure, and New Wave Cinemas. Catherine Russell is Associate Professor of Cinema at Concordia University and the author of Narrative Mortality: Death, Closure, and New Wave Cinemas."This is an extremely important and innovative book. Russell brings together two distinct fields from film studies that have previously remained separateÑthe avant-garde and ethnographic filmÑand reconstructs their relationship in such a way that both fields are significantly transformed."ÑDavid E. James, author of Power Misses: Essays Across (Un)Popular Culture "The breadth and range of this book is fantastic. Russell tackles many interesting problematics and she does so through an eclectic choice of examples. This will stand out as a major and unique redefinition of the fields of experimental cinema and visual anthropology."ÑIvone Margulies, author of Nothing Happens: Chantal Akerman's Hyperrealist Everyday (Key Words: Anthropology, Ethnography, Film Television Studies, Art History, Catherine Russell, Georges Mlis, Maya Deren, Peter Kubelka, Ray Birdwhistell, Jean Rouch, Su Friedrich, Bill Viola, Kidlat Tahimik, Margaret Mead, Tracey Moffatt, Chantal Akerman). book. Bookseller Inventory # 68395X2

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Book Description Duke University Press. Paperback. Book Condition: new. BRAND NEW, Experimental Ethnography: The Work of Film in the Age of Video, Catherine Russell, Experimental film and ethnographic film have long been considered separate, autonomous practices on the margins of mainstream cinema. By exploring the interplay between the two forms, Catherine Russell throws new light on both the avant-garde and visual anthropology. Russell provides detailed analyses of more than thirty-five films and videos from the 1890s to the 1990s and discusses a wide range of film and videomakers, including Georges M Elis, Maya Deren, Peter Kubelka, Ray Birdwhistell, Jean Rouch, Su Friedrich, Bill Viola, Kidlat Tahimik, Margaret Mead, Tracey Moffatt, and Chantal Akerman. Combining cultural critique with aesthetic analysis, she explores the dynamics of historical interruption, recovery, and re-evaluation. As disciplinary boundaries dissolve, Russell contends, ethnography is a means of renewing the avant-gardism of "experimental" film, of mobilising its play with language and form for historical ends. "Ethnography" likewise becomes an expansive term in which culture is represented from many different fragmented perspectives. Experimental Ethnography will appeal to visual anthropologists, as well as film scholars interested in experimental and documentary practices. Bookseller Inventory # B9780822323198

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