Lesbian Rule: Cultural Criticism and the Value of Desire (Next Wave: New Directions in Women's Studies)

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9780822331926: Lesbian Rule: Cultural Criticism and the Value of Desire (Next Wave: New Directions in Women's Studies)
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With hair slicked back and shirt collar framing her young patrician face, Katherine Hepburn's image in the 1935 film Sylvia Scarlett was seen by many as a lesbian representation. Yet, Amy Villarejo argues, there is no final ground upon which to explain why that image of Hepburn signifies lesbian or why such a cross-dressing Hollywood fantasy edges into collective consciousness as a lesbian narrative. Investigating what allows viewers to perceive an image or narrative as "lesbian," Villarejo presents a theoretical exploration of lesbian visibility. Focusing on images of lesbians in film, she analyzes what these representations contain and their limits. She combines Marxist theories of value with poststructuralist insights to argue that lesbian visibility operates simultaneously as an achievement and a ruse, a possibility for building a new visual politics and away of rendering static and contained what lesbian might mean.
Integrating cinema studies, queer and feminist theory, and cultural studies, Villarejo illuminates the contexts within which the lesbian is rendered visible. Toward that end, she analyzes key portrayals of lesbians in public culture, particularly in documentary film. She considers a range of films—from documentaries about Cuba and lesbian pulp fiction to Exile Shanghai and The Brandon Teena Story—and, in doing so, brings to light a nuanced economy of value and desire.

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"Once you read Amy Villarejo's ingenious recontextualizations of the lesbian presence in documentary film, lesbian visibility will never look the same again. Studded with brilliant theoretical insights about fetishism, archives, diaspora, and more, "Lesbian Rule"'s surprising juxtapositions make even the most obscure cultural object 'shimmer with history.' Best of all is the dreamy prose--witty, elegant, and full of delight."--Ann Cvetkovich, author of "An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures"

About the Author:

Amy Villarejo is Associate Professor in the Department of Theater, Film, and Dance at Cornell University. She is coauthor of Queen Christina and coeditor of Keyframes: Popular Film and Cultural Studies.

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9780822331551: Lesbian Rule: Cultural Criticism and the Value of Desire (Next Wave: New Directions in Women's Studies)

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Book Description Duke University Press, United States, 2003. Paperback. Condition: New. New. Language: English. Brand new Book. With hair slicked back and shirt collar framing her young patrician face, Katherine Hepburn's image in the 1935 film Sylvia Scarlett was seen by many as a lesbian representation. Yet, Amy Villarejo argues, there is no final ground upon which to explain why that image of Hepburn signifies lesbian or why such a cross-dressing Hollywood fantasy edges into collective consciousness as a lesbian narrative. Investigating what allows viewers to perceive an image or narrative as "lesbian," Villarejo presents a theoretical exploration of lesbian visibility. Focusing on images of lesbians in film, she analyzes what these representations contain and their limits. She combines Marxist theories of value with poststructuralist insights to argue that lesbian visibility operates simultaneously as an achievement and a ruse, a possibility for building a new visual politics and away of rendering static and contained what lesbian might mean.Integrating cinema studies, queer and feminist theory, and cultural studies, Villarejo illuminates the contexts within which the lesbian is rendered visible. Toward that end, she analyzes key portrayals of lesbians in public culture, particularly in documentary film. She considers a range of films-from documentaries about Cuba and lesbian pulp fiction to Exile Shanghai and The Brandon Teena Story-and, in doing so, brings to light a nuanced economy of value and desire. Seller Inventory # AAJ9780822331926

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Book Description Duke University Press, United States, 2003. Paperback. Condition: New. New. Language: English. Brand new Book. With hair slicked back and shirt collar framing her young patrician face, Katherine Hepburn's image in the 1935 film Sylvia Scarlett was seen by many as a lesbian representation. Yet, Amy Villarejo argues, there is no final ground upon which to explain why that image of Hepburn signifies lesbian or why such a cross-dressing Hollywood fantasy edges into collective consciousness as a lesbian narrative. Investigating what allows viewers to perceive an image or narrative as "lesbian," Villarejo presents a theoretical exploration of lesbian visibility. Focusing on images of lesbians in film, she analyzes what these representations contain and their limits. She combines Marxist theories of value with poststructuralist insights to argue that lesbian visibility operates simultaneously as an achievement and a ruse, a possibility for building a new visual politics and away of rendering static and contained what lesbian might mean.Integrating cinema studies, queer and feminist theory, and cultural studies, Villarejo illuminates the contexts within which the lesbian is rendered visible. Toward that end, she analyzes key portrayals of lesbians in public culture, particularly in documentary film. She considers a range of films-from documentaries about Cuba and lesbian pulp fiction to Exile Shanghai and The Brandon Teena Story-and, in doing so, brings to light a nuanced economy of value and desire. Seller Inventory # AAJ9780822331926

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