Memory and the Impact of Political Transformation in Public Space explores the effects of major upheavals—wars, decolonization, and other social and economic changes—on the ways in which public histories are presented around the world. Examining issues related to public memory in twelve countries, the histories collected here cut across political, cultural, and geographic divisions. At the same time, by revealing recurring themes and concerns, they show how basic issues of history and memory transcend specific sites and moments in time. A number of the essays look at contests over public memory following two major political transformations: the wave of liberation from colonial rule in much of Africa, Asia, and Central and South America during the second half of the twentieth century and the reorganization of Eastern Europe and the former Soviet bloc beginning in the late 1980s.
This collection expands the scope of what is considered public history by pointing to silences and absences that are as telling as museums and memorials. Contributors remind us that for every monument that is erected, others—including one celebrating Sri Lanka’s independence and another honoring the Unknown Russian Soldier of World War II—remain on the drawing board. While some sites seem woefully underserved by a lack of public memorials—as do post–Pinochet Chile and post–civil war El Salvador—others run the risk of diluting meaning through overexposure, as may be happening with Israel’s Masada. Essayists examine public history as it is conveyed not only in marble and stone but also through cityscapes and performances such as popular songs and parades.
Lisa Maya Knauer
T. M. Scruggs
Irina Carlota Silber
Daniel J. Walkowitz
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"This outstanding collection of essays pushes the boundaries of our understanding of how memory is a powerful force in political transformations around the world. Informed by theoretical writings, but not weighed down by them, the authors tell compelling stories of struggles over memory in a wide range of places. This volume should be read and pondered not only by those thinking and writing about how societies remember but also by those planners and architects and politicians who are rushing to memorialize our own traumatic events."--Max Page, author of "The Creative Destruction of Manhattan, 1900-1940"About the Author:
Daniel J. Walkowitz is Director of College Honors and Professor of History and Metropolitan Studies at New York University.
Lisa Maya Knauer is Assistant Professor of Anthropology and African/African-American Studies at the University of Massachusetts, Dartmouth.
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