Yan analyzes how the migrant women workers are subjected to, make sense of, and reflect on a range of state and neoliberal discourses about development, modernity, consumption, self-worth, quality, and individual and collective longing and struggle. She offers keen insight into the workers’ desire and efforts to achieve suzhi (quality) through self-improvement, the way workers are treated by their employers, and representations of migrant domestic workers on television and the Internet and in newspapers and magazines. In so doing, Yan demonstrates that contestations over the meanings of migrant workers raise broad questions about the nature of wage labor, market economy, sociality, and postsocialism in contemporary China.
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"New Masters, New Servants is unique in its scope and ambition. One has the sense that Yan Hairong has really penetrated through several layers of mystification to see the inner workings of Chinese postsocialism and of neoliberalism at large. And through her sensitive and impassioned ethnographic engagement, she has animated the issues with lovingly rendered treatments of the circumstances and subject formation of domestic workers."--Louisa Schein, author of Minority Rules: The Miao and the Feminine in China's Cultural Politics
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