The Goddess and the Nation: Mapping Mother India

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Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, “Mother India,” the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country’s diverse communities. Soon after Mother India’s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, The Goddess and the Nation draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India’s appearance in painting, print, poster art, and pictures from the late nineteenth century to the present.

By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it. In The Goddess and the Nation, she teaches us about pictorial ways of learning the form of the nation, of how to live with it—and ultimately to die for it.

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"Filled with important and arresting observations, "The Goddess and the Nation "is a magnificent example of the possibilities of visual history. Guaranteed to have a substantial impact in South Asian cultural history, it also ought to be seen as a milestone for all historiography. Sumathi Ramaswamy situates a massively informed cultural history of India from the late nineteenth century onward in relation to broader literatures and debates on the history of cartography, iconographies of nationhood and motherhood, and a feminist dynamics of gendered identifications."--Christopher Pinney, author of ""Photos of the Gods": The Printed Image and Political Struggle in India"

About the Author:

Sumathi Ramaswamy is Professor of History at Duke University. She is the author of Lost Land of Lemuria: Fabulous Geographies, Catastrophic Histories and Passions of the Tongue: Language Devotion in Tamil India and the editor of Beyond Appearances? Visual Practices and Ideologies in Modern India.

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Book Description Duke University Press, United States, 2010. Paperback. Condition: New. Language: English . Brand New Book. Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, Mother India, the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country s diverse communities. Soon after Mother India s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, The Goddess and the Nation draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India s appearance in painting, print, poster art, and pictures from the late nineteenth century to the present.By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it. In The Goddess and the Nation, she teaches us about pictorial ways of learning the form of the nation, of how to live with it-and ultimately to die for it. Seller Inventory # BZV9780822346104

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Book Description Duke University Press, United States, 2010. Paperback. Condition: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, Mother India, the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country s diverse communities. Soon after Mother India s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, The Goddess and the Nation draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India s appearance in painting, print, poster art, and pictures from the late nineteenth century to the present.By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it. In The Goddess and the Nation, she teaches us about pictorial ways of learning the form of the nation, of how to live with it-and ultimately to die for it. Seller Inventory # BZV9780822346104

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