Art for an Undivided Earth: The American Indian Movement Generation (Art History Publication Initiative)

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9780822369813: Art for an Undivided Earth: The American Indian Movement Generation (Art History Publication Initiative)

In Art for an Undivided Earth Jessica L. Horton reveals how the spatial philosophies underlying the American Indian Movement (AIM) were refigured by a generation of artists searching for new places to stand. Upending the assumption that Jimmie Durham, James Luna, Kay WalkingStick, Robert Houle, and others were primarily concerned with identity politics, she joins them in remapping the coordinates of a widely shared yet deeply contested modernity that is defined in great part by the colonization of the Americas. She follows their installations, performances, and paintings across the ocean and back in time, as they retrace the paths of Native diplomats, scholars, performers, and objects in Europe after 1492. Along the way, Horton intervenes in a range of theories about global modernisms, Native American sovereignty, racial difference, archival logic, artistic itinerancy, and new materialisms. Writing in creative dialogue with contemporary artists, she builds a picture of a spatially, temporally, and materially interconnected world—an undivided earth.

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About the Author:

Jessica L. Horton is Assistant Professor of Art History at the University of Delaware.

Review:

"Art for an Undivided Earth is a landmark in thinking about Native American art and offers a great deal to everyone working on the contribution of indigenous artists to the modernities that coexisted within twentieth-century modern art. An outstanding work." (Terry Smith, author of One and Five Ideas: On Conceptual Art and Conceptualism)

"Art for an Undivided Earth reframes Native American art history in the twentieth and twenty-first centuries, revising our understanding of modernism and contemporary art. Highlighting Native North American artists as key figures for imagining the global contemporary, Jessica L. Horton demonstrates that the much-celebrated ‘global turn’ has in fact characterized Native North American experience and cultural production since 1492. Based on exhaustive and imaginative research, this book should transform the field and help change the way that Native American artists are understood and taught." (Bill Anthes, author of Edgar Heap of Birds)

"Horton’s study is scholarship as advocacy and a significant contribution to the ongoing discussion about how to develop a truly global perspective in the study of contemporary art.... This is a scholarly book with the usual apparatus and takes into account a range of theoretical approaches but is written clearly enough to offer something to serious general readers." (Andrea Kirsh Artblog 2017-08-27)

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