Benjamin Christensen’s Häxan (The Witch, 1922) stands as a singular film within the history of cinema. Deftly weaving contemporary scientific analysis and powerfully staged historical scenes of satanic initiation, confession under torture, possession, and persecution, Häxan creatively blends spectacle and argument to provoke a humanist re-evaluation of witchcraft in European history as well as the contemporary treatment of female “hysterics” and the mentally ill.
In Realizing the Witch, Baxstrom and Meyers show how Häxan opens a window onto wider debates in the 1920s regarding the relationship of film to scientific evidence, the evolving study of religion from historical and anthropological perspectives, and the complex relations between popular culture, artistic expression, and concepts in medicine and psychology. Häxan is a film that travels along the winding path of art and science rather than between the narrow division of “documentary” and “fiction.” Baxstrom and Meyers reveal how Christensen’s attempt to tame the irrationality of “the witch” risked validating the very "nonsense" that such an effort sought to master and dispel. Häxan is a notorious, genre-bending, excessive cinematic account of the witch in early modern Europe. Realizing the Witch not only illustrates the underrated importance of the film within the canons of classic cinema, it lays bare the relation of the invisible to that which we cannot prove but nevertheless “know” to be there.
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Baxstrom and Meyers’ book is more than a meticulous analysis of Benjamin Christensen's masterpiece Häxan, more than a model monograph. It finds and charts undiscovered tracks in the field of film studies, tracks that the authors invest with methods of analysis inspired by Warburgian iconology. In
the light of their work, the film becomes a privileged way of accessing the history of discourses and representations.
“Realizing the Witch is a highly original, exciting, and important book. With this
work, Richard Baxstrom and Todd Meyers establish themselves as pioneering scholars in the emerging field between media studies and the history of science.”
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Book Description Hardcover. Condition: new. This item is printed on demand. Seller Inventory # 9780823268245
Book Description Hardcover. Condition: New. 1st Edition. New York: Fordham University Press, 2016. NEW, First Printing, NOT the On Demand re-Printing. First Edition. Hard Cover. New/No Jacket, As Issued. Illus. by 64 Black and White Illustrations. 8vo - over 9" tall. Seller Inventory # 931974
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Book Description Hardback. Condition: New. New copy - Usually dispatched within 4 working days. Realizing the Witch follows the unfolding of Benjamin Christensen's visual narrative in his 1922 film, Haxan (The Witch). Through a close reading of Haxan, Baxstrom and Meyers examine the study of witchcraft from historical and anthropological perspectives, as well as the intersection of popular culture, artistic expression and scientific ideas. Seller Inventory # B9780823268245
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Book Description Condition: New. Seller Inventory # 23417405-n
Book Description Condition: New. Realizing the Witch follows the unfolding of Benjamin Christensen's visual narrative in his 1922 film, Haxan (The Witch). Through a close reading of Haxan, Baxstrom and Meyers examine the study of witchcraft from historical and anthropological perspectives, as well as the intersection of popular culture, artistic expression and scientific ideas. Series: Forms of Living. Num Pages: 296 pages, 64 b/w illustrations. BIC Classification: HRQX5. Category: (G) General (US: Trade). Dimension: 238 x 159 x 23. Weight in Grams: 534. . 2015. 1st Edition. Hardcover. . . . . Seller Inventory # V9780823268245