Panthéon De La Guerre: Reconfiguring a Panorama of the Great War

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9780826216786: Panthéon De La Guerre: Reconfiguring a Panorama of the Great War

In its day it was, quite simply, the world’s largest painting.            The Panthéon de la Guerre was a cyclorama the size of a football field, featuring 5,000 full-length portraits of prominent figures from World War I—a painting that blatantly sought to arouse patriotic fervor in its viewers. This book traces that work’s shifting fortunes during its unlikely journey from Great War Paris to cold war Kansas City and examines the continuing journeys of its fragments in the world’s art markets.
Mark Levitch has written the first history and analysis of the Panthéon, capturing its social life in a story full of surprising twists and turns and as epic as the painting itself. Created in Paris as an artist-generated propaganda project while the war raged, the Panthéonwas celebrated there as a solemn and nostalgic work after the war, then was promoted as a circuslike spectacle on a postwar tour of the United States when it was “updated” to appeal to Americans’ more celebratory view of the conflict. Consigned to storage and all but forgotten after World War II, the Panthéon was eventually procured for Kansas City’s Liberty Memorial in 1956, where less than 7 percent of the work was reconfigured into a smaller U.S.-centric mural—some of the unused fragments eventually surfacing in Paris flea markets and on eBay.Levitch looks at the Panthéon as both painting and artifact, combining cultural history, art history, and material culture studies to trace the changing reception of traditional art in the new age of mechanical media. He assesses the changing values attached to the Panthéon and argues that the panorama’s status and frequent reshaping have both informed and been informed by the experience and memory of the First World War in France and the United States—and also reflects on how it has promoted a politically and culturally conservative agenda.            Brimming with facts and insights that will amaze anyone who has known the painting in any of its incarnations, Levitch’s handsomely illustrated book provides a unique lens through which to view a conflict and its commemoration. And as people continue to place importance on commemorative projects, it is a powerful reminder of how ephemeral such grand undertakings can be.

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About the Author:

Mark Levitch, a Ph.D. candidate in art history at the University of Pennsylvania, was previously an intelligence analyst at the State Department and a graduate curatorial fellow at the National Gallery of Art. He lives in Washington, D.C.

Review:

Levitch's fine archaeology of the Panthéon provides a great service to historians of the memory of the Great War...He tells his story in such an engaging manner that most anyone with an interest in that conflict will want to go to Kansas City as soon as possible to see what remains of it.--Leonard Smith, Journal of Military History (July 2007)

Mark Levitch tells a fascinating tale of artistic vision, cultural politics, and Franco-American relations, and he tells it very well...How a work of French patriotic art became an icon of American political orthodoxy is central to the story Levitch traces with elegance, insight, and intelligence.--Martha Hanna, H-War (July 2009)

This is a richly rewarding study...Well illustrated throughout, this is an engaging and thoughtful narrative of interest to students of cultural history, art and to the general reader, and is highly recommended.--Graham Shaw, The ArtBook (February 2008)

Levitch creates a work that is both accessible and thought-provoking. While this book focuses on a very specific issue in art-history, the evolution and transformation of Panthéon raises a number of interesting questions about our relationship to war and to the past in general. --Angela O'Flaherty, French Studies (2008)

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Book Description University of Missouri Press, United States, 2006. Hardback. Book Condition: New. Language: English . Brand New Book. In its day it was, quite simply, the world s largest painting. The Pantheon de la Guerre was a cyclorama the size of a football field, featuring 5,000 full-length portraits of prominent figures from World War I - a painting that blatantly sought to arouse patriotic fervor in its viewers. This book traces that work s shifting fortunes during its unlikely journey from Great War Paris to cold war Kansas City and examines the continuing journeys of its fragments in the world s art markets. Mark Levitch has written the first history and analysis of the Pantheon, capturing its social life in a story full of surprising twists and turns and as epic as the painting itself. Created in Paris as an artist-generated propaganda project while the war raged, the Pantheon was celebrated there as a solemn and nostalgic work after the war, then was promoted as a circus-like spectacle on a postwar tour of the United States when it was updated to appeal to Americans more celebratory view of the conflict. Consigned to storage and all but forgotten after World War II, the Pantheon was eventually procured for Kansas City s Liberty Memorial in 1956, where less than 7 percent of the work was reconfigured into a smaller U.S.-centric mural - some of the unused fragments eventually surfacing in Paris flea markets and on eBay. Levitch looks at the Pantheon as both painting and artifact, combining cultural history, art history, and material culture studies to trace the changing reception of traditional art in the new age of mechanical media. He assesses the changing values attached to the Pantheon and argues that the panorama s status and frequent reshaping have both informed and been informed by the experience and memory of the First World War in France and the United States - and also reflects on how it has promoted a politically and culturally conservative agenda. Brimming with facts and insights that will amaze anyone who has known the painting in any of its incarnations, Levitch s handsomely illustrated book provides a unique lens through which to view a conflict and its commemoration. And, as people continue to place importance on commemorative projects, it is a powerful reminder of how ephemeral such grand undertakings can be. Bookseller Inventory # AAN9780826216786

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Book Description University of Missouri Press, United States, 2006. Hardback. Book Condition: New. Language: English . Brand New Book. In its day it was, quite simply, the world s largest painting. The Pantheon de la Guerre was a cyclorama the size of a football field, featuring 5,000 full-length portraits of prominent figures from World War I - a painting that blatantly sought to arouse patriotic fervor in its viewers. This book traces that work s shifting fortunes during its unlikely journey from Great War Paris to cold war Kansas City and examines the continuing journeys of its fragments in the world s art markets. Mark Levitch has written the first history and analysis of the Pantheon, capturing its social life in a story full of surprising twists and turns and as epic as the painting itself. Created in Paris as an artist-generated propaganda project while the war raged, the Pantheon was celebrated there as a solemn and nostalgic work after the war, then was promoted as a circus-like spectacle on a postwar tour of the United States when it was updated to appeal to Americans more celebratory view of the conflict. Consigned to storage and all but forgotten after World War II, the Pantheon was eventually procured for Kansas City s Liberty Memorial in 1956, where less than 7 percent of the work was reconfigured into a smaller U.S.-centric mural - some of the unused fragments eventually surfacing in Paris flea markets and on eBay. Levitch looks at the Pantheon as both painting and artifact, combining cultural history, art history, and material culture studies to trace the changing reception of traditional art in the new age of mechanical media. He assesses the changing values attached to the Pantheon and argues that the panorama s status and frequent reshaping have both informed and been informed by the experience and memory of the First World War in France and the United States - and also reflects on how it has promoted a politically and culturally conservative agenda. Brimming with facts and insights that will amaze anyone who has known the painting in any of its incarnations, Levitch s handsomely illustrated book provides a unique lens through which to view a conflict and its commemoration. And, as people continue to place importance on commemorative projects, it is a powerful reminder of how ephemeral such grand undertakings can be. Bookseller Inventory # AAN9780826216786

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