Do you watch movies with your eyes open?
You buy your tickets and concessions, and you walk into the theater. Celluloid images flash at twenty-four frames per second, and the hypnotic sequence of moving pictures coaxes you to suspend disbelief and be entertained by the implausible.
Unfortunately, many often suspend their beliefs as well, succumbing to subtle lessons in how to behave, think and even perceive reality. Do you find yourself hoping that a sister will succeed in seducing her sibling's husband, that a thief will get away with his crime, that a serial killer will escape judgment? Do you, too, laugh at the bumbling priest and seethe at the intolerant and abusive evangelist? Do you embrace worldviews that infect your faith and wonder, after your head is clear, whether your faith can survive the infection?
Brian Godawa guides you through the place of redemption in film, the tricks screenwriters use to communicate their message, and the mental and spiritual discipline required for watching movies. Hollywood Worldviews helps you enter a dialogue with Hollywood that leads to a happier ending, one that keeps you aware of your culture and awake to your faith.
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Godawa is an award-winning screenwriter. He has also taught and written on film and philosophy, screenwriting, and the art of watching movies. Four of his screenplays have won multiple awards in such competitions as the Nicholl Fellowship, Austin Heart of Film, Fade-In, Worldfest, Writer's Network, Chesterfield Writer's Film Project, Columbus Discovery Award and Reader's Digest Screenplay Competition.
An award-winning Christian Hollywood scriptwriter offers this rather uneven book on how to watch movies discerningly as a faithful Christian. Godawa's purpose is not to help readers decide which films are worth seeing (for that he refers them to Christian Web sites), but rather how to "read" a film for its messages as opposed to absorbing it only as entertainment. One of his main arguments is that Christians should engage the world of popular culture in order to reform it. Unfortunately, it is not always clear who he expects his audience to be. Sometimes he writes very simplistically; he ends his definition of "worldview" with the phrase "it is our view of the world" and details elements of stories and myths that many high school graduates would be familiar with. But other sections use very academic prose about complex philosophies like existentialism and postmodernism. He reveals a clearly defined, even narrow, view of Christianity by asserting the "correct" way one should live or interpret the Bible. "Rare is the movie that paints an accurate portrait of heaven and hell," he tells us. (Just what, exactly, would an "accurate" portrayal look like?) The fact that each chapter ends with assignments and discussion questions gives it a strong pedantic twist. Despite these flaws, in the hands of the right audience conservative Christians willing to approach it as a textbook and who don't mind having a few movie plots betrayed this guide will encourage more thoughtful film consumption without killing the fun of moviegoing.
Copyright 2002 Cahners Business Information, Inc.
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