Citation, Intertextuality and Memory in the Middle Ages and Renaissance: Volume 2: Cross-Disciplinary Perspectives on Medieval Culture (Exeter Studies in Medieval Europe LUP)

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9780859898614: Citation, Intertextuality and Memory in the Middle Ages and Renaissance: Volume 2: Cross-Disciplinary Perspectives on Medieval Culture (Exeter Studies in Medieval Europe LUP)
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From the Middle Ages onwards, writers, artists and composers became self-consciously aware of the vast potential for external references to enrich their works. By evoking canonical texts and their producers from the distant or more recent past, authors demonstrated their respect for tradition while showcasing their own merits. In so doing they also manipulated the memory of their readers. The essays in this second volume cover a range of topics relevant to medieval Europe and embrace sacred and secular music, historiography, liturgical and biblical studies, sermons and preaching, the architecture of funerary chapels and the role of tombs in literature. As such, each essay explores the themes of the book's title using a particular body of works from the late Middle Ages or early Renaissance. The book as a whole offers a rich cross-disciplinary discussion of the material in question, with the authors engaging fruitfully with each other's approaches. The strong line-up includes scholars from the UK, the USA and continental Europe.

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About the Author:


Yolanda Plumley is Professor of History at University of Exeter. Her background is in musicology, with a strongly interdisciplinary approach. Her study of the late medieval musical repertory is allied with an exploration of the literary and cultural production of the period and its historical context. Research to date has focussed particularly on French songs and lyrics of the fourteenth and early fifteenth centuries and on the culture that produced them.

Giuliano di Bacco is Director of the Center for the History of Music Theory and Literature at Indiana University. A musicologist and medievalist, Giuliano Di Bacco works on polyphonic repertories and treatises of music theory of the thirteenth and fourteenth centuries in Italy and France. His research deals with manuscripts and textual criticism, archival studies, and biographies, especially focussing on the musical chapels of the popes of the Great Schism, and the Ars nova in Italy and France.

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A richly textured demonstration of the difference between medieval and modern capacities for memory and understanding of originality and invention in the arts. * Renaissance Quarterly *

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Book Description Liverpool University Press, United Kingdom, 2014. Hardback. Condition: New. Language: English . Brand New Book. From the Middle Ages onwards, writers, artists and composers became self-consciously aware of the vast potential for external references to enrich their works. By evoking canonical texts and their producers from the distant or more recent past, authors demonstrated their respect for tradition while showcasing their own merits. In so doing they also manipulated the memory of their readers. The essays in this second volume cover a range of topics relevant to medieval Europe and embrace sacred and secular music, historiography, liturgical and biblical studies, sermons and preaching, the architecture of funerary chapels and the role of tombs in literature. As such, each essay explores the themes of the book s title using a particular body of works from the late Middle Ages or early Renaissance. The book as a whole offers a rich cross-disciplinary discussion of the material in question, with the authors engaging fruitfully with each other s approaches. The strong line-up includes scholars from the UK, the USA and continental Europe. Seller Inventory # AAZ9780859898614

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Book Description Liverpool University Press, 2013. Condition: New. Essays in this volume cover topics relevant to medieval Europe including sacred and secular music, historiography, liturgical and biblical studies, sermons and preaching, the architecture of funerary chapels and the role of tombs in literature. Each essay explores the themes using works from the late Middle Ages or early Renaissance. Editor(s): Di Bacco, Giuliano; Plumley, Yolanda. Series: Exeter Studies in Medieval Europe. Num Pages: 288 pages, 20 black and white. BIC Classification: DSBB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 161 x 234 x 23. Weight in Grams: 602. . 2013. 1st Edition. Hardcover. . . . . . Seller Inventory # V9780859898614

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