Potential for creating designs in textiles can be seen even in the physical properties of cloth. The simple fact that cloth tightly compressed into wrinkles or folds resists the penetration of dye is an opportunity-an opportunity to let the pliancy of textiles speak in making designs and patterns.
People around the world have recognized this opportunity, producing resist designs in textiles by shaping and then securing cloth in various ways before dyeing. Yet in no other country has the creative potential of this basic principle been understood and applied as it has in Japan. Here, in fact, it has been expanded into a whole family of traditional resist techniques, involving first shaping the cloth by plucking, pinching, twisting, stitching, folding, pleating, and wrapping it, and then securing the shapes thus made by binding, looping, knotting, clamping, and the like. This entire family of techniques is called shibori.
Designs created with shibori processes all share a softness of outline and spontaneity of effect. Spontaneity is shibori's special magic, made possible by exploiting the beauty of the fortuitous things that happen when dye enters shaped cloth.
Usually it is in response to the fact that a craft is being lost that the need for preserving and documenting it arises. The motivation behind this book is no exception, but the authors have gone far beyond simple documentation. Extensive research and experimentation have led to the revival here of shibori techniques that were once well known but have now been largely forgotten in Japan. In addition to more conventional techniques, the work of contemporary fiber artists in Japan and abroad in shibori textile art and wearable art is presented, to suggest the extent of the creative innovation possible.
The 104 color and 298 black-and-white plates include a photographic Gallery of Shibori Examples, based on Japan's largest collection of traditional shibori fabrics. Included also are a detailed guide to basic natural dyes used in Japan, the making and care of an indigo vat, and a list of suppliers in North America, as well as a glossary and bibliography. Now available in paperback, this full documentation of one of the world's most inventive and exciting dyeing techniques continues as a classic in the textile field.
"synopsis" may belong to another edition of this title.
An artist, author, exhibition curator, textile researcher, and film producer, Yoshiko Iwamoto Wada has long been a proponent of traditional and sustainable practices in fashion and textile production. She travels throughout the world giving lectures and workshops. Wada is the President of the World Shibori Network and founder of the Slow Fiber Studio in California. Mary Kellogg was a leading figure in the textile and crafts community. She passed away in 2011 at the age of 100. Artist Jane Barton studied textile art with Yoshiko Wada.
"This excellent book on all aspects of Japanese tie-dye has been so influential worldwide that ‘shibori’ has actually become the term for this field."—Jack Lenor Larsen
"This beautiful book is a classic within the field of textile literature. The information it contains—with clearly written text and wonderful illustrations—has been so useful to artists, students and scholars since it was first published in 1983. It is wonderful that it will now be available as a paperback."—Gillian Moss, Curatorial Chair, Curator of Textiles Cooper-Hewitt, National Design Museum
"This is the invaluable book that has launched a thousand contemporary shibori artists. Among all the texts in the field of surface design, this is the priceless jewel in the lotus!"—Jason Pollen, President, Surface Design Association, Chair, Fiber Department, Kansas City Art Institute
"...Masterfully organized and rich in detail, Shibori is of great benefit to the student, fiber artist and researcher alike." —Glen Kaufman, Fiber artist, Professor, University of Georgia
"Marvelous... This is the kind of book that every fibre artist would love to have on his library shelves... To my knowledge there is no other treatise in English which explicates this area of textile art. Shibori fills a gap in the literature of textiles."—Tec Hallman, Professor of Textiles, Ontario College of Art and Design
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Seller: Sunshine State Books, Lithia, FL, U.S.A.
hardcover. Condition: Very Good. Hardback--name inside cover--price clipped from dust cover--otherwise excellent condition. Seller Inventory # TA260503051R1309
Seller: Stock & Trade LLC, Portland, OR, U.S.A.
hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. A nice hardcover with a crisp dust jacket, a tight binding and an unmarked text. Former owners inscription on title page,From a private smoke free collection. Shipping within 24 hours, tracking number and delivery Confirmation. Seller Inventory # DarbMarGbox1-813f
Seller: Adamstown Books, Lancaster, PA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Oversize hardcover, 304 pp. w/ hundreds of color plates and b&w diagrams and instructions. Provides a history of the Japanese techniques of embellishing textiles by shaping cloth and securing it before dyeing. Binding, Stitching, Folding, and Pole wrapping are presented along with innovations. Includes appendices on cloth and dyes, suppliers, etc. Book Condition : Fine; unmarked. Dust Jacket Condition : Fine; minimal shelf wear. Seller Inventory # 223279
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Hard Cover with Dustjacket. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Oversize hardcover with dustjacket : fine / fine: both are almost like new Jacket in new mylar protector. Size: 4to - over 9¾ - 12" tall. Book. Seller Inventory # 121446
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Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. First Edition (stated) in original $65.00-priced dust jacket, no markings, NOT ex-lib, black-stamped red cloth boards are bright & sharp-cornered, binding tight pages bright, an as new unread copy (dj in mylar protector); 4to; 303pp indexed & illus. Seller Inventory # 33112
Seller: Burke's Books, Eugene, OR, U.S.A.
Hardcover. Condition: Good. Dust Jacket Condition: Good. X-Library W/Usual Markings. Red Cloth Shows Some Edge/Corner Wear. Dj Has Mylar Laminate, Peeling In A Few Places, Some Edge Wear. Lg. Seller Inventory # 24915
Seller: Kellogg Creek Books, Portland, OR, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Inscribed by Yoshiko Wada twice, first in 1996, then again in 1999 on title page. Inscription by previous owner written on ffep. Binding tight, content clean and straight. Dust jacket in very good condition with minor edge wear and corner bumping, in protective mylar. If purchasing internationally, please inquire about shipping charges before purchase. Ships within 1-2 business days. Inscribed by Author(s). Seller Inventory # 2298
Seller: Northmont Books and Stamps, Farmington Hills., MI, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. A very nice clean copy of this study of this ansient art form. Seller Inventory # 004526
Seller: Isaiah Thomas Books & Prints, Inc., Cotuit, MA, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Near Fine. 1st Edition. Personal hand written note to previous owner of book from Mary Kellogg Rice laid in re her reaction to book, what a pleasure to write it, one day like to commission a vest from her, etc. First edition, very good copy in very good DJ. ; 11.9 X 8.6 X 1.5 inches; 303 pages; Signed by Author. Signed by Author(s). Seller Inventory # 10909
Seller: BookEnds Bookstore & Curiosities, Ojai, CA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Fine condition Hardcover maroon cloth boards with black lettering on the spine. Includes numerous color and b/w illustrations with Index, 303 pages. The DJ is in Fine condition. Oversize folio 9" x 12". Seller Inventory # 007026