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The big, bold, seductive and surprising color photographs of German photographer Andreas Gursky set forth a stunning image of our contemporary world of high-tech industry, international markets, big-time sports, fast-paced tourism and slick commerce. Tracking the zeitgeist from his native Germany to such far-flung places as Hong Kong, Brasilia, Cairo, New York, Shanghai, Stockholm, Tokyo, Paris, Singapore and Los Angeles, Gursky has earned acclaim at the leading edge of contemporary art with a polished signature style that draws upon a great diversity of ideas, precedents and techniques. Created in collaboration with the artist, this oversize book surveys the fullness of his work to date with gorgeous color plates, generous two-page details, and a wealth of supporting illustrations. The first in-depth study in English of Gursky's art, this book was published in conjunction with a major retrospective at The Museum of Modern Art, New York.
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Peter Galassi is Chief Curator of the Department of Photography at The Museum of Modern Art, New York.From Library Journal:
Gursky's retrospective at New York's Museum of Modern Art this spring (now showing in Chicago) was just the latest achievement by this German photographer, ranked among the half-dozen most important art photographers now working. Galassi, MOMA's chief photography curator, does an excellent job of tracing the artist's influences and development in his engaging essay. Moreover, the illustrations of work by his mentors, especially Bernd and Hilla Becher, as well as of his own early work, commercial work, and school projects, are highly informative. The 59 large-format plates (48 of them from the 1990s) forming the catalog that follows concentrate on his mature themes: massive and empty modern buildings, crowded public spaces filled with frenetic, impersonal activity, and landscapes that most often look at a built topology. The combination of his unique, painterly use of the camera and his ability to capture the beehive of contemporary society (whether the images are occupied or not) rightfully have earned him his current position. This best available overview is highly recommended for all libraries. Eric Bryant, "Library Journal"
Copyright 2001 Reed Business Information, Inc.
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Book Description The Museum of Modern Art, New, 2002. Hardcover. Condition: New. Never used!. Seller Inventory # P110870700162
Book Description The Museum of Modern Art, New, 2002. Hardcover. Condition: New. Brand New!. Seller Inventory # VIB0870700162
Book Description The Museum of Modern Art, New York, 2002. Hardcover. Condition: New. Seller Inventory # DADAX0870700162