One of the most significant artists of his generation, Sigmar Polke came of age creatively around 1963 in Dsseldorf. His earliest expressive idiom was crude and humorous, its images outrageous, and its content seemingly trivial, but embedded in these works were subversive and parodic commentaries on consumer society, German postwar politics, and classic artistic conventions. Few of Polke's works demonstrate more vividly his imagination, sardonic wit, and eclectic creative process than the drawings, watercolors, and gouaches of the 1960s and early 70s. More than 300 works are illustrated, including small sketches in ballpoint and felt-tipped pen, larger sheets in watercolor and gouache, and still others stamped with a dot screen process, as well as pages from over a dozen small sketchbooks and several monumental works on paper. This books was published to accopany the first American exhibiton of these drawings shown at The Museum of Modern Art, New York in 1999.
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Sigmar Polke was born in Oels, Germany, in 1941, and studied at the State Academy of Art in D sseldorf. He first achieved recognition in 1963 when he began working in a witty and irreverent style he termed "Capitalist Realism"--often considered a more complex and political cousin to Anglo-American Pop Art. He has continued to create innovative and aesthetically impressive works through the present day. He has been the subject of solo exhibitions at such major museums as the Museum of Contemporary Art, Los Angeles; the San Francisco Museum of Modern Art; the MusEe de l'Art Moderne de la Ville de Paris; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Museum of Contemporary Art, Chicago; the Brooklyn Museum; the Stedelijk Museum, Amsterdam; the Walker Arts Center; and, in 1999, at The Museum of Modern Art, New York. He has been the recipient of the Venice Biennale's Golden Lion, the Erasmus award, and the Carnegie award. He lives and works in Cologne, Germany.
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Rowell, Margit. SIGMAR POLKE: Works on Paper 1963-1974. Includes essays by Michael Semff and Bice Curiger; 200 pp., with 299 color and 27 b&w illustrations. 4to, boards. New York, Museum of Modern Art in association with Harry N. Abrams, 1999. This catalogue accompanies the first American museum exhibition devoted to Polke's drawings of the 1960 and early 1970s. More than 300 works are illustrated, including small sketches in pen, larger watercolors and gouaches, dot-screen, and sketchbooks. Seller Inventory # 55585