Excerpt from the Foreword: "High and Low: Modern Art and Popular Culture" continues a tradition that has been important to The Museum of Modern Art throughout its history: thematic exhibitions that examine the fundamental premises of modern art, and link the innovations of its pioneers to the explorations of younger, contemporary artists. This kind of exhibition is particularly demanding, and the present project, so ambitious and heterogeneous in its scope, was only made possible by the dedication of an extraordinary number of individuals and institutions. Excerpt from the Introduction: Our goal is to examine the transformations through which modern painters and sculptors have made new poetic languages by reimagining the possibilities in forms of popular culture; and, as a corollary, to acknowledge the way those adaptations in modern art have found their way back into the common currency of public visual prose. To demonstrate that process, we will focus on aspects of style, including small items like sans-serif typefaces or Benday dots, and broader strategies such as gigantism or the mind-arresting transformation of objects.
"synopsis" may belong to another edition of this title.
Narrower in scope than its title suggests, this sprawling, visually riveting catalogue of a traveling exhibition traces the "dialogue" between "high" art (Picasso, Miro, Seurat, etc.) and the streetwise or commercial "low" media of graffiti, caricature, comics and advertising. Picasso transformed sly notebook caricatures into the "high" paintings of his primitive/archaic phase. Claes Oldenburg turned a lipstick tube into a colossal, totemic monument. From cubist newspaper collages to Jenny Holzer's electric-message installations, popular culture has served such modern artists as Jeff Koons, Joseph Cornell and Cy Twombly as a means of recovery of certain high-art traditions. Although the text may be swollen with hype, artspeak and farfetched comparisons, this tome entertains as it informs. Varnedoe is director of paintings and sculpture at New York's Museum of Modern Art; Gopnik is a New Yorker staff writer.
Copyright 1990 Reed Business Information, Inc.
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Soft cover. Condition: Good. 1st Edition. Minor edge and corner wear; lightly scuffed and scratched; spine is lightly creased; some shelf wear; ex-library with the usual library markings; overall a nice used copy! Color illustrated wrapper with black and red lettering. 460 historical and artistic pages nicely enhanced by black and white and full-color photographs and illustrations! "Excerpt from the Foreword: "High and Low: Modern Art and Popular Culture" continues a tradition that has been important to The Museum of Modern Art throughout its history: thematic exhibitions that examine the fundamental premises of modern art, and link the innovations of its pioneers to the explorations of younger, contemporary artists. This kind of exhibition is particularly demanding, and the present project, so ambitious and heterogeneous in its scope, was only made possible by the dedication of an extraordinary number of individuals and institutions. Excerpt from the Introduction: Our goal is to examine the transformations through which modern painters and sculptors have made new poetic languages by reimagining the possibilities in forms of popular culture; and, as a corollary, to acknowledge the way those adaptations in modern art have found their way back into the common currency of public visual prose. To demonstrate that process, we will focus on aspects of style, including small items like sans-serif typefaces or Benday dots, and broader strategies such as gigantism or the mind-arresting transformation of objects.". Seller Inventory # 052894
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Soft cover. Condition: Near Fine. 199O B00K: Near Fine (illustrator). B00K: Near Fine $57.92 0870703544 HIGH and L0W: M0DERN ART and P0PULAR CULTURE G0PNICK, Kirk; VARNED0E, Adam the MUSEUM of M0DERN ART 199O Tall, Wide And Thick, Soft Cover BooK: Near Fine/, Tan Spine With Title In Black Letters, With One Large Explanation Mark As A Design, Soft Cover B00K: Fine/Very Good/, Shelf, Edge And Corner Wear. 460 Numbered Pages In As New/ Condition, Appear To Be Lightly Viewed, Not Read And Are Clean And Tight To The Spine. One Small Nick And Tear In The Spine. Front 3 Corners Are Lightly Bumped. Printed On Off White Paper. Description Applies To These BooKs, Only. Might Require Extra Shipping And Handling To Your Destination, Due To Large Size And Weight. This BooK Is Hard To Find, Will Be Packaged And Shipped Carefully, To Avoid Shipping Damage And Will Make An Excellent Addition To Your Own Personal Library Collection, Or As A Gift. WORLD WIDE Shipping, AVAILABLE. Seller Inventory # 011212
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Softbound. Color illustrated glossy wraps. 460 pp., countless bw and color plates. Covers caricature, graffiti, advertising, and comics as well as painting and traditional mediums. The bibliography is 22 pages long!! A whale of a catalogue. VG but for curator's signature inside front cover; Seller Inventory # 104130
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softbound. Yellow and color-illustrated glossy wraps. 460 pp., countless BW and color plates, including 3 fold-outs. Covers caricature, graffiti, advertising, and comics as well as painting and traditional mediums. The bibliography is 22 pages long!! A whale of a catalogue. G+. Covers have edge wear, tanning, fading, soiling. Some pages have rips on bottom (near gutter). Page 341-2 has top half of page cut out. Minor soiling inside, but mostly clean. library sticker on spine and inside front cover. Seller Inventory # 166543