Jean-Patrick Manchette Three To Kill

ISBN 13: 9780872863958

Three To Kill

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9780872863958: Three To Kill
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Businessman Georges Gerfaut witnesses a murder—and is pursued by the killers. His conventional life knocked off the rails, Gerfaut turns the tables and sets out to track down his pursuers. Along the way, he learns a thing or two about himself. . . . Manchette—masterful stylist, ironist, and social critic—limns the cramped lives of professionals in a neoconservative world.


"Manchette has appropriated and subverted the classic thriller [with] descriptions of undiluted action, violence and suspense [and] a perspective on evil, a disenchanted world of manipulation and fury . . . ." —Times Literary Supplement


"The petty exigencies of the classic thriller find themselves summarily reduced to cremains by the fiery blue jets of Jean-Patrick Manchette's concision, intelligence, tension, and style." —Jim Nisbet, author of Lethal Injection and Prelude to a Scream


"Manchette is a must for the reading lists of all noir fans. . . . Manchette deserves a higher profile among noir fans." —Publishers Weekly


"Manchette . . . performs miracles within this simple story. His style is very matter of fact, stark and almost cool like the jazz his hero or anti-hero Gerfaut devours at every opportunity. Yet in this short novel there is no lack of atmosphere, excitement, characters or descriptive writing, it is just the total lack of unnecessary material that makes the story seem so lean and mean." —Norman Price, EuroCrime


"A social satire cum suspense equally interested in dissecting everyday banalities and manufacturing thrills. Writing with economy, deadpan irony, and an eye for the devastating detail, Manchette spins pulp fiction into literature." —Kirkus Reviews


"While there isn’t much that’s obviously moral—in the good-versus-evil sense—[this novel] demonstrate[s] why Manchette is hailed as the man who kicked the French crime novel or “polar” out of the apolitical torpor into which it had fallen by the time he started publishing his “neo-polars” in the 1970s. . . . Grim and cerebral as they feel, it’s remarkable how comic—in an absurdist, laugh-or-you’ll-cry way—these books are, as if Manchette had decided that poking fun at the products of the capitalist system were the fittest way to attack the system itself." —Jennifer Howard, Boston Review


"The pace is fast, the action sequences are superb, and the effect is just as striking as it must have been when the book was first published in 1976." —Laura Wilson, The Guardian


"[T]he novel is brilliantly written, replete with allusions to art, literature, and music, papered with the very texture and furniture of our lives. Manchette is Camus on overdrive, at one and the same time white-hot, ice-cold. He deserves much the same attention." —James Sallis, Review of Contemporary Fiction


Jean-Patrick Manchette (1942—1995) rescued the French crime novel from the grip of stodgy police procedurals — restoring the noir edge by virtue of his post-1968 leftism. Today, Manchette is a totem to the generation of French mystery writers who came in his wake. Jazz saxophonist, political activist, and screen writer, Manchette was influenced as much by Guy Debord as by Gustave Flaubert. City Lights has published more of his work, including The Gunman.


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About the Author:

Jean-Patrick Manchette (1942-1995) was the author of 11 noir novels, of which Three To Kill is the first to be published in English. An amateur jazz saxophonist, one-time political activist and prolific TV screen writer and literary critic, Manchette renewed French noir in the post-1968 period and established the new genre of the néo-polar. His writing was influenced as much by Guy Debord as by Gustave Flaubert.

From Publishers Weekly:

Backed by a tremendous European reputation, one of the stars of Gallimard's [Serie Noir] comes to America with a lean thriller, in a brilliant new translation. Manchette (1942-1995) did translations himself, as well as leftist political writing, potboilers and TV scripts, but his 10 crime novels composed between 1971 and 1982 are considered his masterworks. This 1976 title features the ordinary businessman Georges Gerfaut, drawn by chance into the net cast by two hit men, Carlo and Bastien, working on assignment for the mysterious "Mr. Taylor." For no reason Gerfaut can comprehend, the pair are suddenly trying to kill him, and he must flee for his life. The theme of paranoid man-on-the-run is a staple of B-thrillers, but the author shows such superb ‚lan in handling the material that it almost seems as if he's the first to craft it, using cinematic narrative techniques that switch the perspective backward and forward in time. Manchette makes pop culture references throughout, noting Gerfaut "did have a look of Robert Redford. But, like a lot of men, he didn't much care for Robert Redford." Describing the huge cache of guns Carlo and Bastien lug about in their murderous trade, he asks, "Should such an arsenal be considered impressive or simply grotesque?" The occasional touches of dark humor recall Charles Willeford, the passages of sinewy prose the spare musculature of Richard Stark's early Parker novels. Manchette is a must for the reading lists of all noir fans. (Mar.)Forecast: This edition, supported by a French government grant, is most likely to reach an audience that shares the author's left-wing politics. Manchette deserves a higher profile among noir fans (in the Black Lizard series, for example), but his being a dead non-Anglophone foreigner makes the wider dissemination of his work an uphill climb.
Copyright 2002 Cahners Business Information, Inc.

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Book Description City Lights Books, United States, 2002. Paperback. Condition: New. Language: English. Brand new Book. Businessman Georges Gerfaut witnesses a murder--and is pursued by the killers. His conventional life knocked off the rails, Gerfaut turns the tables and sets out to track down his pursuers. Along the way, he learns a thing or two about himself. . . . Manchette--masterful stylist, ironist, and social critic--limns the cramped lives of professionals in a neoconservative world. "Manchette has appropriated and subverted the classic thriller [with] descriptions of undiluted action, violence and suspense [and] a perspective on evil, a disenchanted world of manipulation and fury . . . ." --Times Literary Supplement "The petty exigencies of the classic thriller find themselves summarily reduced to cremains by the fiery blue jets of Jean-Patrick Manchette's concision, intelligence, tension, and style." --Jim Nisbet, author of Lethal Injection and Prelude to a Scream "Manchette is a must for the reading lists of all noir fans. . . . Manchette deserves a higher profile among noir fans." --Publishers Weekly "Manchette . . . performs miracles within this simple story. His style is very matter of fact, stark and almost cool like the jazz his hero or anti-hero Gerfaut devours at every opportunity. Yet in this short novel there is no lack of atmosphere, excitement, characters or descriptive writing, it is just the total lack of unnecessary material that makes the story seem so lean and mean." --Norman Price, EuroCrime "A social satire cum suspense equally interested in dissecting everyday banalities and manufacturing thrills. Writing with economy, deadpan irony, and an eye for the devastating detail, Manchette spins pulp fiction into literature." --Kirkus Reviews "While there isn't much that's obviously moral--in the good-versus-evil sense--[this novel] demonstrate[s] why Manchette is hailed as the man who kicked the French crime novel or "polar" out of the apolitical torpor into which it had fallen by the time he started publishing his "neo-polars" in the 1970s. . . . Grim and cerebral as they feel, it's remarkable how comic--in an absurdist, laugh-or-you'll-cry way--these books are, as if Manchette had decided that poking fun at the products of the capitalist system were the fittest way to attack the system itself." --Jennifer Howard, Boston Review "The pace is fast, the action sequences are superb, and the effect is just as striking as it must have been when the book was first published in 1976." --Laura Wilson, The Guardian "[T]he novel is brilliantly written, replete with allusions to art, literature, and music, papered with the very texture and furniture of our lives. Manchette is Camus on overdrive, at one and the same time white-hot, ice-cold. He deserves much the same attention." --James Sallis, Review of Contemporary Fiction Jean-Patrick Manchette (1942--1995) rescued the French crime novel from the grip of stodgy police procedurals -- restoring the noir edge by virtue of his post-1968 leftism. Today, Manchette is a totem to the generation of French mystery writers who came in his wake. Jazz saxophonist, political activist, and screen writer, Manchette was influenced as much by Guy Debord as by Gustave Flaubert. City Lights has published more of his work, including The Gunman. Seller Inventory # AAC9780872863958

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Book Description City Lights Books, United States, 2002. Paperback. Condition: New. Language: English. Brand new Book. Businessman Georges Gerfaut witnesses a murder--and is pursued by the killers. His conventional life knocked off the rails, Gerfaut turns the tables and sets out to track down his pursuers. Along the way, he learns a thing or two about himself. . . . Manchette--masterful stylist, ironist, and social critic--limns the cramped lives of professionals in a neoconservative world. "Manchette has appropriated and subverted the classic thriller [with] descriptions of undiluted action, violence and suspense [and] a perspective on evil, a disenchanted world of manipulation and fury . . . ." --Times Literary Supplement "The petty exigencies of the classic thriller find themselves summarily reduced to cremains by the fiery blue jets of Jean-Patrick Manchette's concision, intelligence, tension, and style." --Jim Nisbet, author of Lethal Injection and Prelude to a Scream "Manchette is a must for the reading lists of all noir fans. . . . Manchette deserves a higher profile among noir fans." --Publishers Weekly "Manchette . . . performs miracles within this simple story. His style is very matter of fact, stark and almost cool like the jazz his hero or anti-hero Gerfaut devours at every opportunity. Yet in this short novel there is no lack of atmosphere, excitement, characters or descriptive writing, it is just the total lack of unnecessary material that makes the story seem so lean and mean." --Norman Price, EuroCrime "A social satire cum suspense equally interested in dissecting everyday banalities and manufacturing thrills. Writing with economy, deadpan irony, and an eye for the devastating detail, Manchette spins pulp fiction into literature." --Kirkus Reviews "While there isn't much that's obviously moral--in the good-versus-evil sense--[this novel] demonstrate[s] why Manchette is hailed as the man who kicked the French crime novel or "polar" out of the apolitical torpor into which it had fallen by the time he started publishing his "neo-polars" in the 1970s. . . . Grim and cerebral as they feel, it's remarkable how comic--in an absurdist, laugh-or-you'll-cry way--these books are, as if Manchette had decided that poking fun at the products of the capitalist system were the fittest way to attack the system itself." --Jennifer Howard, Boston Review "The pace is fast, the action sequences are superb, and the effect is just as striking as it must have been when the book was first published in 1976." --Laura Wilson, The Guardian "[T]he novel is brilliantly written, replete with allusions to art, literature, and music, papered with the very texture and furniture of our lives. Manchette is Camus on overdrive, at one and the same time white-hot, ice-cold. He deserves much the same attention." --James Sallis, Review of Contemporary Fiction Jean-Patrick Manchette (1942--1995) rescued the French crime novel from the grip of stodgy police procedurals -- restoring the noir edge by virtue of his post-1968 leftism. Today, Manchette is a totem to the generation of French mystery writers who came in his wake. Jazz saxophonist, political activist, and screen writer, Manchette was influenced as much by Guy Debord as by Gustave Flaubert. City Lights has published more of his work, including The Gunman. Seller Inventory # AAC9780872863958

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