Word Like a Bell: John Keats, Music and the Romantic Poet - Hardcover

Minahan, John A.

Hardcover

ISBN 10: 0873384539 ISBN 13: 9780873384537

Publisher: Kent State Univ Pr, 1992

Synopsis

Music was supremely important to the Romantic poets, particularly to John Keats. In this first book-length study on the subject, John A. Minahan explores Keats's work in relation to the art of music.
Word Like a Bell considers Keats's major poems as well as his letters and minor verse. Writing in a jargon-free style, Minahan examines the relationship between the musical and literary manifestations of Romantic theory, and the connection between that theory and Keats's work. He then offers new insights into Keats's poetry and his era, among them a detailed explanation of why the "Great Odes" ought to be considered a single extended piece.
Also receiving extensive treatment are Wordsworth, Coleridge, Shelley, Haydn, Mozart, and Beethoven, whose ideas and creations illustrate how music influences every aspect of Romantic thought.
In his exploration of the relationship between different but related arts, Minahan both locates Romanticism in its historical and aesthetic context and expands the capabilities of literary criticism. He finds that music enables Romanticism to voice its fundamental concern about time and its passage, and shows us that an understanding of poetry's relation to music can enrich our appreciation of both arts while deepening our own experiences of time.
This interdisciplinary study will appeal to readers of poetry and literary criticism and to professional musicians who would increase their understanding of an age's art, songwriters interested in word/music relations, and poets who crave an extensive discussion of poetic technique and craft that uses music as a way to clarify such points.

About this title

Reviews

In this illuminating and groundbreaking study, Minahan explores Keats's poetry, and Romantic literary theory in general, in relation to music. He argues that analogies to music--most of his examples are from Beethoven--can shed light on the Romantic concern with language, time, and consciousness, as embodied in the typical structure of the Romantic lyric poem. According to Minahan, the musical philosophy of his day gave Keats not only a vocabulary for his poetic concerns but also a poetic structure. Like Helen Vendler and other recent critics, Minahan examines Keats's odes as a unified sequence, and he finds them to be organized by a "sonatalike musicality." Literary scholars, musicians, and anyone who has an interest in the relationship between poetry and music will find this an absorbing book.
- Bryan Aubrey, Fairfield, Ia.
Copyright 1992 Reed Business Information, Inc.

Edition details

• Publisher: Kent State Univ Pr
• Publication date: 1992
• Language: English
• ISBN 10: 0873384539
• ISBN 13: 9780873384537
• Binding: Hardcover
• Edition number: 1
• Number of pages: 218