James C Faris Navajo & Photography

ISBN 13: 9780874807615

Navajo & Photography

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Beginning with the earliest photographs of Navajos in captivity at Bosque Redondo and including the most recent glossy picture books and calendars, Faris's survey points up assumptions that have always governed photographic representation of the Navajo people. Full of the work of photographers such as Edward S. Curtis and Laura Gilpin, as well as photographs by many less well known figures, readers will find Navajo and Photography an enlightening juxtaposition of cultures.

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James Faris's Navajo and Photography concerns a world that has nearly disappeared: that of the traditional Navajos, the Indian people of the high desert American Southwest. What Faris calls "non-hostile" Navajos became an essential part of the tourist trade following the Indian Wars of the 19th century, and their representation in photographic images was a carefully crafted departure from the realities of reservation life. The Navajos were depicted as proud yet friendly warriors, not as defeated enemies and wards of a conquering state. Those photographs--and Faris's book contains scores of them--were important instruments in the foundation of a "conventional wisdom" about who Indians were and how they lived. As Faris shows in his commentary, the Navajos did not always willingly participate in this mythmaking process, and sometimes subtly subverted it. Even so, history and anthropology books are full of ersatz images of characters such as the famous "Navajo Brigand of the Black Mountain Country." Faris's text is an important contribution to a growing body of criticism of what might be called "the manufacture of The Other."

About the Author:

James Faris is emeritus professor of anthropology at the University of Connecticut.

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Book Description University of Utah Press,U.S., United States, 2003. Paperback. Condition: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. HISTORICALLY, PHOTOGRAPHS have said less about the Navajo than about the photographers of Navajos. In Navajo and Photography James Faris calls attention to the inability of these photographs to communicate either the lived experiences of native people or their history. Beginning with the earliest photographs of Navajos in captivity at Bosque Redondo and including recent glossy picture books and calendars, Faris s survey points up assumptions that have always governed photographic representation of the Navajo people. Full of the work of photographers such as Edward S. Curtis and Laura Gilpin, as well as photographs by many less-well-known figures, readers will find Navajo and Photography an enlightening juxtaposition of cultures. Seller Inventory # BTE9780874807615

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Book Description University of Utah Press,U.S., United States, 2003. Paperback. Condition: New. Language: English . Brand New Book. HISTORICALLY, PHOTOGRAPHS have said less about the Navajo than about the photographers of Navajos. In Navajo and Photography James Faris calls attention to the inability of these photographs to communicate either the lived experiences of native people or their history. Beginning with the earliest photographs of Navajos in captivity at Bosque Redondo and including recent glossy picture books and calendars, Faris s survey points up assumptions that have always governed photographic representation of the Navajo people. Full of the work of photographers such as Edward S. Curtis and Laura Gilpin, as well as photographs by many less-well-known figures, readers will find Navajo and Photography an enlightening juxtaposition of cultures. Seller Inventory # AAN9780874807615

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Book Description University of Utah Press,U.S., United States, 2003. Paperback. Condition: New. Language: English . Brand New Book. HISTORICALLY, PHOTOGRAPHS have said less about the Navajo than about the photographers of Navajos. In Navajo and Photography James Faris calls attention to the inability of these photographs to communicate either the lived experiences of native people or their history. Beginning with the earliest photographs of Navajos in captivity at Bosque Redondo and including recent glossy picture books and calendars, Faris s survey points up assumptions that have always governed photographic representation of the Navajo people. Full of the work of photographers such as Edward S. Curtis and Laura Gilpin, as well as photographs by many less-well-known figures, readers will find Navajo and Photography an enlightening juxtaposition of cultures. Seller Inventory # AAN9780874807615

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