“This book is a social history of Pop art, a group portrait of both the artists and the people who made some of them rich and famous in just a few years, while setting in motion the drastically altered way art has been marketed and appreciated―in the monetary and aesthetic sense―up to the present day.” So begins Alice Goldfarb Marquis' lively, informative and entertaining account of one of the twentieth century's most flamboyant and influential art movements. Included in this group portrait are the famous: Roy Lichtenstein and his “Blam-Pow” comics panels, Andy Warhol, shy, shrewd and tough as nails, the power couple of Leo Castelli and Ileana Sonnabend; the infamous, such as the collector Robert Scull, who bought so heavily that his own dealer deemed him “vulgar”; and a variegated cast ranging from artists Jasper Johns, Robert Rauschenberg, Robert Indiana and James Rosenquist to pioneering dealer Ivan Karp, controversial curator Henry Geldzahler, media guru Marshall McLuhan, author Tom Wolfe and many, many others. While shelves of books have been written about Pop art, The Pop Revolution is the first to approach it not only as an aesthetic upheaval, but also as a bellwether for the social, cultural, economic and political changes affecting America and Europe in the late twentieth century. As Marquis notes, the figures involved in creating and promoting the movement “set off the ‘culture boom' of the 1960s, and were indispensable to the success, not only of Pop art, but of all the varied approaches to art that followed.” Rich in historical insights and unpublished information, The Pop Revolution is an extremely readable account of one of art's liveliest chapters.
Award-winning journalist and historian Alice Goldfarb Marquis, who died in 2009, was a visiting scholar at the University of California at San Diego. Her previous books include Art Czar: The Rise and Fall of Clement Greenberg, Marcel Duchamp: The Bachelor Stripped Bare, Alfred H. Barr, Jr: Missionary for the Modern and The Art Biz.
"synopsis" may belong to another edition of this title.
"This book is a social history of Pop Art, a group portrait of both the artists and the people who made some of them rich and famous in just a few years, while setting in motion the drastically altered way art is marketed and appreciated--in the monetary and aesthetic sense--up to the present day. The artists, their dealers, fans and patrons starred in a cultural revolution that still resonates today. Unheard-of prosperity encouraged people who had never been interested in art to flock to museums; and the line between avid art collectors and speculators blurred. Critics who for decades had guided the public's taste in art were suddenly brushed aside, tagged as hopelessly elitist; their colleagues in literature, sociology, politics and economics likewise overturned. After reigning for almost a century, the old Modernist creed, with its aesthetic theories, successive avant gardes, judgmental critics and arrogant upper crust, was fading. This changing of the cultural guard reflected a profound relaxation of previously ironclad rules, not only in art or literature, but also in behavior, dress, entertainment and personal fulfillment. Those who had endured the privations of the Depression and the horrors of the Second World War basked in new opportunities--for education, housing, the pleasures of a comfortable income and time to savor them. They set off the "culture boom" of the 1960s, and were indispensable to the success, not only of Pop art, but of all the varied approaches to art that followed.
Alice Goldfarb Marquis, excerpted from her introduction to The Pop Revolution: How an Unlikely Concatenation of Artists, Aficionados, Businessmen, Critics, Curators, Collectors, Dealers, and Hangers-On Radically Transformed the Art World.
"About this title" may belong to another edition of this title.
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Seller Inventory # 6348278-6
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Seller Inventory # 1118841-6
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized. Seller Inventory # M0878467440Z2
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. Seller Inventory # M0878467440Z3
Seller: Half Price Books Inc., Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_413590592
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Hardcover. Condition: Good. Dust Jacket Condition: Very Good. 1st. Cloth, x, 221 pages, [8] pages of colour plates, illustrations; 24 cm. Withdrawn from library collection, with usual markings. No writing in text. DJ in mylar. Another copy available. *** CONTENTS: Heralds of change, 1954-1960; The arts take center stage, 1961-1965; But is it art? 1962-1966; A most unlikely American hero, 1964-1969; Art for all, 1960-1970; "The molds are breaking," 1969-1980; Death & transfiguration, 1970-1987. Size: 8vo. Seller Inventory # 210813
Seller: Melanie Nelson Books, Livingston, NY, NY, U.S.A.
Hardcover. Condition: Fine. ----------Thin blue hardcovers, the book is 9 1/4" tall. 221 pages, with 8 pages of color and other b/w illustrations in the text.FINE CONDITION- - dust jacket Fine Condition. Seller Inventory # 053632
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Condition: Used - Very Good. 2010. 1st Edition. Hardcover. Cloth, dj. Slight shelf-wear, clean internals. Very Good. Seller Inventory # SOL30122
Seller: Great Expectations Rare Books, Staten Island, NYC, NY, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Hardcover, blue cloth in publisher's non price-clipped dust-jacket. 222 pages. Publisher's Afterword, Notes, Index. Illustrated with black and white photographs in text and a suite of 8 unnumbered pages of color photographs. Stated first edition, first printing with no other printings listed. "This book is a social history of Pop Art, a group portrait of both the artists and the people who made some of them rich and famous in just a few years, while setting in motion the drastically altered way art has been marketed and appreciated - in the monetary and aesthetic sense - up to the present day." (Inside jacket). No previous ownership marks. Small color bleed from cloth to very bottom of dust-jacket at spine, chiefly visible on blank verso, else a clean, sound, tight and unmarked copy. Very good in a very good dust-jacket. Seller Inventory # 021583
Seller: Chaparral Books, Portland, OR, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. The binding is tight, corners sharp. Text and images unmarked. The dust jacket shows some light handling, in a mylar cover. Seller Inventory # SPIROmarPOP