Boye takes readers through each stage in the design and fabrication of a knife, showing how the process is completed, from cutting the blank from new or used steel to tempering the blade to grinding, polishing, and coating to the addition of the handle.
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Knifemaking may strike you as a curious endeavor. With so many good knives available, you might ask, why would anyone want to make one by hand?
That very question coursed through my mind when a friend who worked in the office next to mine began talking to me about the knives he was making. Almost every day he would work the word knife into our conversations in some way. And samples of the different blades he was making would be placed casually on his desk, used as paperweights and letter openers.
I was surprised by the beauty and especially the uniqueness of those handmade knives. They were sleek and graceful, with a more personal and mellow look than commercial knives. I knew that my friend was strictly a beginner at this craft. And he had no great amount of experience in metal or woodworking, either. Yet after just a few weeks of experience, he was making beautiful knives.
Finally, his goading got to me, and I ordered a blade from a company selling knifemaking supplies. My initial project was not to make a whole knife, but just to fashion a handle for a blade that had been turned out by machine. Soon I was gluing, cutting, filing, grinding, and sanding away at my own knife project.
My knifemaking lasted perhaps a year, and I turned out three knives before directing my attention to other crafts and recreations. But I was happy to have had the experience, not so much because I made exceptional knives but because I was able to feel the relationship that develops between a person and a knife that is made for personal use.
A knife is perhaps the most basic and useful of all tools. Most of us develop favorites among the knives we keep in our homes for kitchen use, gardening, sport, and carving. When you reach for a knife, you automatically feel for the one that you like, that has served you best in the past, or that has some unique attraction to you that is hard to explain.
When you have made a knife yourself and have shaped the blade just the way you want it and the handle is made to fit your own hand, a special relationship develops between you and that tool. David Boye says that effectively and even eloquently in this book, but putting the feeling into words captures only part of the experience. Just as you feel the handle of a knife, you also feel the specialness of a handle that is of your own making. And when you have ground and filed a blade to suit a purpose that is clear in your own mind, you have a special, more personal feeling when you use that blade.
In this age when we are flooded with machine-made products for almost every conceivable purpose, the experience of making and using your own special knife becomes more important. Making a knife is like fashioning a key to a wider awareness of your own abilities and relationship to tools. These days, we have too few such opportunities.
- Robert Rodale
David Boye has been a full time artist knifemaker since 1972. He is on the leading edge of blademaking science through his historic discovery and development of Dendritic Steel and Dendritic Cobalt.
Completely self-taught, David started making knives from used sawmill blades. In 1976, Rodale Press published his book, Step-by-Step Knifemaking, which explains how to make knives using recycled materials and readily available equipment. This popular text has sold over 150,000 copies to date, and has influenced the careers of many custom knifemakers working today.
In 1980, David began experimenting with the technique of investment casting for making knife blades. He discovered that casting produces a dendritic (fern-like) network of carbide crystals throughout the steel, and that dendritic steel blades hold an edge from 2 to 50 times longer than other steels commonly used for cutlery. His work is considered to be a revolutionary breakthrough in modern knifemaking.
David was born in San Mateo in 1941, and grew up in the Bay Area. His academic background was primarily in psychology (B.A. San Jose State, 1964, M.A. San Jose State, 1965), and included a minor in Art. He also completed 2 and 1/2 years towards a doctorate degree in Social Psychology at the University of Minnesota.
David makes a variety of knives for the home and the outdoors. He specializes in a dendritic cobalt boat knife, which was rated #1 Sailor's Knife by the highly respected, independent journal Practical Sailor. His work has been shown in more than 50 galleries and museums, including the Renwick Gallery at the Smithsonian Institution in Washington, D.C., as well as in Japan and Europe. Boye knives have been featured in numerous articles in both national and local publications.
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Book Description Rodale Press, 1977. Paperback. Book Condition: New. book. Bookseller Inventory # M0878571817
Book Description Rodale Press, 1977. Paperback. Book Condition: New. Never used!. Bookseller Inventory # P110878571817