derek beaulieu beaulieu How to Write

ISBN 13: 9780889226296

How to Write

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9780889226296: How to Write
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How to Write is a perverse Coles Notes: a paradigm of prosody where writing as sampling, borrowing, cutting-and-pasting and mash-up meets literature. This collection of conceptual short ?ction takes inspiration from Lautréamont’s decree that plagiarism is necessary. It is implied in the idea of progress. It clasps the author’s sentence tight, uses his expressions, eliminates a false idea, replaces it with the right idea.”

Already early in the twentieth century, the modernist Ezra Pound asserted that poets should make it new,” and of course by it” he meant the tradition”: the materiality of pre-existent writing. The assertion is by no means original, much less post-modern: John Donne, for example, argued centuries ago that all mankind is of one author, and is one volume.”

How to Write is an instruction manual for the demise of ownership. A multitudinous dialogue of writers and subjects, words and contexts, it unleashes a cacophony of voices where authors don’t own their words, they merely rent them from other authors. Containing ten pieces of conceptual prose ranging from the purely appropriated through the entirely recomposed, and covering a range of texts from the anonymous to the famous, it includes samplings from, among many others: Lawrence Sterne; Agatha Christie; Bob Kane; Roy Lichtenstein; and every piece of text within one block of the author’s home. Its title story is an exhaustive record of every incidence of the words write” or writes” in forty different English-language texts picked aesthetically to represent a disparate number of genres.

With How to Write, beaulieu suggests writers and artists would be better served to make it reframed, make it borrowed, make it re-contextualized.” By recasting the canon with cut-up directions for successful writing, catalogues of events, and lists of vocabulary, he gleefully illustrates Picasso’s dictum that Good artists copy. Great artists steal.”

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About the Author:

derek beaulieu
Author of four books of poetry and two volumes of conceptual fiction, derek beaulieu’s work is consistently praised as some of the most radical and challenging contemporary Canadian writing. beaulieu’s fractal economies (Talonbooks, 2006) includes a cogent and widely-discussed argument for poetry which works beyond conventional meaning-making, pushing the boundaries of syntax into graphic design, gesture and collaboration.

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Derek Beaulieu
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ISBN 10: 0889226296 ISBN 13: 9780889226296
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Book Description Talon Books,Canada, Canada, 2010. Paperback. Condition: New. Language: English . Brand New Book. How to Write is a perverse Coles Notes: a paradigm of prosody where writing as sampling, borrowing, cutting-and-pasting and mash-up meets literature. This collection of conceptual short ?ction takes inspiration from Lautreamont s decree that plagiarism is necessary. It is implied in the idea of progress. It clasps the author s sentence tight, uses his expressions, eliminates a false idea, replaces it with the right idea. Already early in the twentieth century, the modernist Ezra Pound asserted that poets should make it new, and of course by it he meant the tradition the materiality of pre-existent writing. The assertion is by no means original, much less post-modern: John Donne, for example, argued centuries ago that all mankind is of one author, and is one volume. How to Write is an instruction manual for the demise of ownership. A multitudinous dialogue of writers and subjects, words and contexts, it unleashes a cacophony of voices where authors don t own their words, they merely rent them from other authors. Containing ten pieces of conceptual prose ranging from the purely appropriated through the entirely recomposed, and covering a range of texts from the anonymous to the famous, it includes samplings from, among many others: Lawrence Sterne; Agatha Christie; Bob Kane; Roy Lichtenstein; and every piece of text within one block of the author s home. Its title story is an exhaustive record of every incidence of the words write or writes in forty different English-language texts picked aesthetically to represent a disparate number of genres. With How to Write, beaulieu suggests writers and artists would be better served to make it reframed, make it borrowed, make it re-contextualized. By recasting the canon with cut-up directions for successful writing, catalogues of events, and lists of vocabulary, he gleefully illustrates Picasso s dictum that Good artists copy. Great artists steal. Seller Inventory # AAC9780889226296

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Book Description Talon Books,Canada, Canada, 2010. Paperback. Condition: New. Language: English . Brand New Book. How to Write is a perverse Coles Notes: a paradigm of prosody where writing as sampling, borrowing, cutting-and-pasting and mash-up meets literature. This collection of conceptual short ?ction takes inspiration from Lautreamont s decree that plagiarism is necessary. It is implied in the idea of progress. It clasps the author s sentence tight, uses his expressions, eliminates a false idea, replaces it with the right idea. Already early in the twentieth century, the modernist Ezra Pound asserted that poets should make it new, and of course by it he meant the tradition the materiality of pre-existent writing. The assertion is by no means original, much less post-modern: John Donne, for example, argued centuries ago that all mankind is of one author, and is one volume. How to Write is an instruction manual for the demise of ownership. A multitudinous dialogue of writers and subjects, words and contexts, it unleashes a cacophony of voices where authors don t own their words, they merely rent them from other authors. Containing ten pieces of conceptual prose ranging from the purely appropriated through the entirely recomposed, and covering a range of texts from the anonymous to the famous, it includes samplings from, among many others: Lawrence Sterne; Agatha Christie; Bob Kane; Roy Lichtenstein; and every piece of text within one block of the author s home. Its title story is an exhaustive record of every incidence of the words write or writes in forty different English-language texts picked aesthetically to represent a disparate number of genres. With How to Write, beaulieu suggests writers and artists would be better served to make it reframed, make it borrowed, make it re-contextualized. By recasting the canon with cut-up directions for successful writing, catalogues of events, and lists of vocabulary, he gleefully illustrates Picasso s dictum that Good artists copy. Great artists steal. Seller Inventory # AAC9780889226296

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