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The nature of truth in art, and most particularly in fiction, is reconsidered in the guile of a conspiratorial domestic with attitude, fallen arches and an aversion to household appliances which complements perfectly her inability to consider orthotics or the ministrations of a podiatrist.
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Where do my stories come from? First, from a voice. In `Ex Libris' I was given the voice of Ivor and from there on it was plain sailing. Is that true? Not completely, I suppose, because every time I had to stop -- to get a meal, to go out -- I couldn't help wondering if the voice would be there when I began again. I was not Daedalus. There was no thread in my head to lead me on. Only the voice. The same is true of `Up on the Roof'. Once I had the voice, I had the story. Only that voice knew that story, so if I lost the voice I lost it all. The same can roughly be said of all the others. The reason I hedge a bit here is because sometimes another element is there too: a vestige of plot or colour. But only a vestige. Very thin ice that would not bear my weight.
I began writing stories in my twenties. They were usually bizarre: the man whose leg came through the ceiling, the child who fell from a steeple, etc. Then I stopped for some years. When I began again the stories were still bizarre. What has become clear to me is that the closer the stories come to autobiography, the more impossible they are to write. I write out of the imagination. Facts clip my wings. And without a voice, I have no voice. I am mute.About the Author:
P. K. Page wrote some of the best poems published in Canada over the last five decades. In addition to winning the Governor General's Award for poetry in 1957, she was appointed a Companion of the Order of Canada in 1999. She was the author of more than a dozen books, including ten volumes of poetry, a novel, short stories, eight books for children, and a memoir, entitled Brazilian Journal, based on her extended stay in Brazil with her husband Arthur Irwin, who served as the Canadian Ambassador there from 1957 to 1959. A two-volume edition of Page's collected poems, The Hidden Room (Porcupine's Quill), was published in 1997.
In addition to writing, Page painted, under the name P. K. Irwin. She mounted one-woman shows in Mexico and Canada. Her work was also exhibited in various group shows, and is represented in the permanent collections of the National Gallery of Canada, the Art Gallery of Ontario, and the Victoria Art Gallery, among others.
P. K. Page was born in England and brought up on the Canadian prairies. She died on the 14th of January, 2010.
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Book Description Porcupine's Quill, 2007. Paperback. Condition: New. Seller Inventory # DADAX0889842876
Book Description Porcupine's Quill, Erin, On, Canada, 2007. Softcover. Condition: New. First Edition; First Printing. New book, unmarked, in crisp glossy covers. ; 0.6 x 8.6 x 5.5 Inches; 144 pages. Seller Inventory # 24227
Book Description Erin, ON, Canada: Porcupine's Quill, Incorporated, 2007. Soft cover. Condition: New. 1st Edition. Original printed wraps. 144 pp. Octavo. The nature of truth in art, and most particularly in fiction, is reconsidered in the guile of a conspiratorial domestic with attitude, fallen arches and an aversion to household appliances which complements perfectly her inability to consider orthotics or the ministrations of a podiatrist. Printed offset by Tim Inkster on the Heidelberg KORD at the printing office of the Porcupine's Quill in the Village of Erin, Wellington County, Ontario, Canada. Smyth sewn into 16-page signatures with hand-tipped endleaves front and back. Seller Inventory # 0889842876
Book Description Porcupine's Quill, 2007. Condition: New. book. Seller Inventory # M0889842876