In the course of designing his recent production of Mozart's The Magic Flute, artist and animated filmmaker William Kentridge created a mechanized theater maquette. When he saw the miniature stage's potential as sculpture, projection site, and installation, he began to imagine Black Box, the freestanding structure whose development and installation are documented here. A movement-filled, visually charged piece, it is peopled with two-dimensional mechanical figures, completed with scenic elements and lit by flickering video. A digital projector displays animated films created from Kentridge's charcoal drawings and sculptures. Kentridge considers his title term in three senses: a "black box" theater, a "chambre noire" as it relates to photography, and a "black box" flight data recorder, as used in airline disasters. The clandestine fourth reference may be to his ongoing exploration of German history and its convergence with South African history through Namibia, a former German colony that came under South African control prior to gaining its independence. Black Box evokes all that, and the joyful mechanics of pre-cinematic visual spectacles, magic lanterns, the camera obscura and the zoetrope. A unique and richly layered meditation on the act of seeing, on vision and experience, and on the nature of knowledge itself.
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Seller: Revere Auctions Books, Saint Paul, MN, U.S.A.
Hardcover Book No Dust Jacket Fading and slight wear to the cover of the book and the edges Acceptable Condition Images and pages in clear and bright condition. Seller Inventory # bk-202
Seller: Black Cat Books, Shelter Island, NY, U.S.A.
Hardcover. Condition: Very Good. No Jacket. 1st Edition. Hardbound, no dust jacket. 1st edition. Seller Inventory # 73949
Seller: Any Amount of Books, London, United Kingdom
Landscape 4to. Pp: 117, [19]. First edition. Publisher's black boards with white lettering to spine and white illustration to front. Black publisher's stain to text block top, fore, and bottom edges. Colour illustrations throughout. Fold-out colour illustration adhered to rear pastedown. ISBN: 089207339X Very good. Heavy rubbing at head and tail of spine and top and bottom corners. Some edgewear at top and bottom edges, including two small dints at top edge approx. 3mm. Seller Inventory # C72314
Quantity: 1 available
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover without dustjacket as issued, unpaginated; in English; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra. Seller Inventory # WiKeDe75.1
Seller: Last Exit Books, Charlottesville, VA, U.S.A.
Hardcover. Condition: Very Good. Hardcover. 4to. Deutsche Guggenheim Museum, Berlin, Germany. 2006. 128 pgs. Illustrated throughout. Bound in illustrated paper covered boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. In the course of designing his recent production of Mozart's The Magic Flute, artist and animated filmmaker William Kentridge created a mechanized theater maquette. When he saw the miniature stage's potential as sculpture, projection site, and installation, he began to imagine Black Box, the freestanding structure whose development and installation are documented here. A movement-filled, visually charged piece, it is peopled with two-dimensional mechanical figures, completed with scenic elements and lit by flickering video. A digital projector displays animated films created from Kentridge's charcoal drawings and sculptures. Kentridge considers his title term in three senses: a "black box" theater, a "chambre noire" as it relates to photography, and a "black box" flight data recorder, as used in airline disasters. The clandestine fourth reference may be to his ongoing exploration of German history and its convergence with South African history through Namibia, a former German colony that came under South African control prior to gaining its independence. Black Box evokes all that, and the joyful mechanics of pre-cinematic visual spectacles, magic lanterns, the camera obscura and the zoetrope. A unique and richly layered meditation on the act of seeing, on vision and experience, and on the nature of knowledge itself. EB; 10.9 X 8.7 X 0.7 inches; 128 pages. Seller Inventory # 62758