Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet--surprisingly--there has never before been a major exhibition of his sculpture in North America. Bernini and the Birth of Baroque Portrait Sculpture--on view from August 5 through October 26, 2008, at the J. Paul Getty Museum and from November 28, 2008, through March 8, 2009, at the National Gallery of Canada, Ottawa--showcases portrait sculptures from all phases of the artist's long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676, one of his last completed works.
Bernini's portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini's ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi.
Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome.
"synopsis" may belong to another edition of this title.
Andrea Bacchi is professor of art history at the University of Trento, Italy.
Catherine Hess is associate curator in the Department of Sculpture and Decorative Arts at the J. Paul Getty Museum.
"About this title" may belong to another edition of this title.
Seller: Moe's Books, Berkeley, CA, U.S.A.
Softcover. Condition: Good. No jacket. First chapter underlined in pen. Clean otherwise. Seller Inventory # 95150
Seller: Warwick Books, member IOBA, South Pasadena, CA, U.S.A.
Softcover. Condition: Fine. Hefty softcover exhibition catalogue. Fine condition, As New. Published to accompany a 2008 show of the same name at the Getty in Los Angeles and the National Gallery of Canada in Ottawa. Essays by a number of scholars. Sumptuously Illustrated throughout. Large 4to. 326 pp. Heavy--will require additional postage if shipped priority or outside the U.S. Seller Inventory # 96071
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Grey wraps with color illustrations and brown lettering; 325 pp. with numerous color illustrations, numbered by chapter. Photo is of a previous copy; this copy is NOT ex-library. "Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet - surprisingly - there has never been a major North American exhibition of his work. Bernini and the Birth of Baroque Portrait Sculpture - on view from August 5 through October 26, 2008, at the J. Paul Getty Museum and from November 28, 2008, through March 8, 2009, at the National Gallery of Canada, Ottawa - showcases portrait sculptures from all phases of the artist's long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676." "Bernini's portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini's ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi." "Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that also features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome."--Jacket. VG (scuffs & scratches to wraps; edge-wear. rubbing to corners. rubbing to spine tail.). Seller Inventory # 113422
Seller: GoldBooks, Denver, CO, U.S.A.
Condition: new. Seller Inventory # 53S69_37_0892369329
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. illustrated edition. 336 pages. 11.25x9.50x0.75 inches. In Stock. Seller Inventory # 0892369329
Quantity: 1 available