Stephen Shore took colour photography beyond the domain of advertising and fashion, and his large-format American landscapes have become a vital photographic tradition over the past three decades. This book contains previously unpublished work that has never been exhibited.
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At the age of 24, Stephen Shore became the first living photographer to have a one-man show at the Metropolitan Museum of Art, New York. Among his numerous other one-man shows, Shore has exhibited at the Museum of Modern Art, New York, the Art Institute of Chicago, and the Kunsthalle Düsseldorf. He has received several awards for his photography including two National Endowment for the Arts Grants and a Guggenheim Foundation Grant. He has been the Chair of the photography department at Bard College in Annandale-on-Hudson, N.Y. since 1982.
A teenaged photographic aspirant who hung around at Andy Warhol’s factory in its mid-60s heyday, Shore found success early: his first show at New York’s Metropolitan Museum of Art was held when he was only 23. These 152 full-page, full-color shots comprise his serial project of the 70s, "Uncommon Places," which documented roadside America with a dispassionate, Andy-like emptiness. It’s an aesthetic that has been endlessly co-opted by American filmmakers like Gus Van Sant and Jim Jarmusch, but some of these 12 7/8" × 10 5/16" shots of prairies, parking lots, polyester-clad couples and plastic hotel furnishings manage to seem fresh nonetheless. Shore’s concluding interview with Lynn Tillman makes the Warhol connection explicit, and argues for a kind of meaning-making from the void: "Formalism often sounds like a kind of visual nicety, but if I use it, that’s not how I mean it." Beautiful, lush reproductions with minimal captions allow the photos to speak for themselves.
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Book Description Aperture, 1982. Hardcover. Book Condition: New. Bookseller Inventory # P110893811017
Book Description Aperture, 1982. Hardcover. Book Condition: New. First Edition. Bookseller Inventory # DADAX0893811017