Graciela Iturbide makes subtle yet powerful photographs that blend evocative scenes, primarily the cultures of her native Mexico, with her own deeply personal vision. Images of the Spirit, the first major publication of Iturbide's photography, demonstrates how in her dreamlike encounters with what may first appear to be ordinary, she perceives the surreal and the marvelous. Iturbide's work is a mixture of history, lyricism, and portraiture, sometimes informed by the art of Mexico's photographic master, Manuel Álvarez Bravo. In Iturbide's photographs, she combines the story of a culture in transition with issues of identity, diversity, and selfhood.
As the poet and critic Roberto Tejada points out in his Preface, "Sidelong Mirrors and Invisible Masks," Iturbide's photographs "underline time and again the rift between belonging and citizenship, rendered often against a backdrop of Mexican icons or heroes--be it the frail displacement of a rural campesino in Puebla, or the triumph of locals in East Los Angeles." Tejada who has lived in Mexico for the last ten years, provides a trenchant illumination of this Mexican photographer's use of her country's lore and stories of conquest, it's pre-Hispanic past, its indigenous visual vocabulary, and its centuries of tradition and ceremony, often infused with Christian iconography.
Writer and scholar Alfredo López Austin is an anthropologist studying Latin American cultures. In his series of letters to Iturbide, which form the poetic Epilogue to Images of the Spirit, he envisions her "on a promontory set over the world in such a way as to see from one ocean to the other, to approach the vault of heaven and to surpass the artificial boundaries." Reflecting on the breadth of her expansive, insightful mind while invoking many narrative voices and identities drawn from Mexico's richly vibrant mythologies, López Austin shows us how Iturbide's photographs mirror the artist herself. Through his writing Iturbide is revealed as observer, searcher, affirmer.
Images of the Spirit is produced at the highest level of the printer's art, enhancing the resonance of Iturbide's imagery, and the luminosity of her vision. Iturbide's compassion and dedication to her native land and its people make Images of the Spirit a power evocation of the underlying forces inspiring the complex, diverse, and ever-changing cultural landscape of Mexico.
This aperture publication accompanies a traveling exhibition that opened at the Philadelphia Museum of Art.
"synopsis" may belong to another edition of this title.
Graciela Iturbide was born in Mexico City in 1942. In the late 1960's she began studying filmmaking at the Centro Universitario de Estudios Cinematográficos. While assisting Manuel Álvarez Bravo in the early 1970's, she studied photography, and soon after devoted herself to the art. During this time she traveled to Europe where she met Henri Cartier-Bresson, who became a significant influence on her work. In 1978 she became a founding member of the Mexican Council of Photography. Assisted by Francisco Toledo, she has been working for several years on her "Juchitán" project, for which she was awarded the W. Eugene Smith award in 1987. In 1988 she was given a grant from the Guggenheim Foundation and her exhibition "Juchitán" recived first prize at France's Mois de la Photo. Iturbide lives in Coyoacán, Mexico.
Alfredo López Austin is one of Mexico's most eminent anthropologists. He is currently a research associate at the Instituto de Investigaciones Antroplógicas and a humanities professor of Mesoamerican studies at the Universidad Nacional Autónoma de México. He is the author of several works, many of which have been translated into English, including The Human Body and Ideology (University of Utah Press, 1988). He is a visiting professor at various European universities and is the recipient of various awards, including a 1976 fellowship from the John Simon Guggenheim Memorial Foundation.
Roberto Tejada is a poet, translator, and art critic. He edits the English-Spanish bilingual journal Mandorla--an annual of advanced poetry and poetics from the Americas. Tejada was the executive editor of Artes de México, and is presently on the editorial board of Luna córnea, a quarterly journal on photography. His poems and critical writings have appeared in numerous international publications. He has edited En algun ostro lado (Editorial Vuelta, 1992), an anthology of twentieth-century poems on Mexico written by North American and British poets. Tejada has lived and worked in Mexico City since 1987.
"About this title" may belong to another edition of this title.
Seller: Roundabout Books, Greenfield, MA, U.S.A.
hardcover. Condition: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders. Seller Inventory # 1744381
Seller: Book_Mob, Santa Clarita, CA, U.S.A.
hardcover. Condition: Fair. Some wear on the corners and edges. Clean pages with no markings. Textbooks may not include supplemental items i.e. CDs, access codes etc.The image in this listing is stock photo for reference. Actual item may differ. Any queries, just ask for photos. Your satisfaction matters! Seller Inventory # G5-26-11-25-001
Seller: Edward Ripp: Bookseller, Albuquerque, NM, U.S.A.
Hard Cover in Dust Jacket. Condition: Very Good +. First Edition. 4to, 123 pp, VG+ in shelf-rubbed pictorial dust jacket. Lavishly illustrated with full-page duotone plates. Includes a chronology and selected bibliography. First edition. Seller Inventory # 12650
Seller: HPB-Ruby, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_464858208
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket; 128 pages; very good condition; no internal marks. Foreign shipping may be extra. Seller Inventory # ImItAp50
Seller: Superbbooks, San Francisco, CA, U.S.A.
Hardcover. Condition: Fine. 1st Edition. EXCELLENT Unmarked PAGES And BINDING And DUST JACKET. Hardback. As Shown. Published/printed by Aperture, 1996. First edition. Approximately 10 X 12. 128 pages. Seller Inventory # 006282
Seller: Archer's Used and Rare Books, Inc., Kent, OH, U.S.A.
Hardcover (Original Cloth). Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Dust Jacket is in fine condition without tears or chips or other damage. Dust Jack in mylar guard. Quantity Available: 1. Category: Photography; ISBN: 0893816817. ISBN/EAN: 9780893816810. Pictures of this item not already displayed here available upon request. Inventory No: 22920. Seller Inventory # 22920
Seller: PDNB Gallery, Denton, TX, U.S.A.
Hardcover, 11.75 x 9.88 x .88 in, 1st edition, Front and back cover: wrapped in mylar, slight wear to corners, slight rubbing, overall very good condition; Pages: in excellent condition; Overall very good condition. Seller Inventory # ABE-1767996071873
Seller: Alan Angele Popular Culture, IOBA, Upper Nyack, NY, U.S.A.
Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Mint copy in unclipped dust jacket protected by archival mylar. Full page black and white photographic illustrations by this award-winning Mexican photographer, with a preface by the poet and critic Roberto Tejeda and ending with a series of letters to Iturbide by the anthropologist Alfredo Lopez Austin. Seller Inventory # 002388
Seller: A Book Preserve/ John A. Crider, Bookseller, Columbus, OH, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Included. 1st Edition. Fine black quarter cloth over slate cloth boards in near fine dust jacket. 4to. 128 pp. Full-page duo-tone photos. SHIPS fast with tracking. Seller Inventory # LREDNC-dhjh5-035