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In this excellent little book, David Robinson investigates these legends and proves most of them to be false. He claims that though admittedly influential, Caligari was not a pioneering work of German expressionism. In fact, its creators conceived of its sensationalistic decor to cater to popular audiences of the time. Robinson proves that their intentions succeeded: Caligari was actually beloved by audiences from the day of its release.
The author also debunks Janowitz's account. In an appendix that includes the recently discovered scenario for the film, Robinson demonstrates the valuable contributions Wiene made to the script, reconsidering many qualities of the movie as the work of the director rather than the screenwriters. This critique, a major reevaluation of a pioneering film, is thus also a reevaluation of cinema history itself. --Raphael Shargel
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