Arshile Gorky (1904-1948) is recognized as one of the most crucial and intriguing figures in the early shaping of Abstract Expressionism. Gorky pioneered a complex vocabulary of forms by fusing landscapes remembered from his childhood home in Armenia with surrealist imagery and abstract plumes of color. In so doing, he helped create a distinctly new vision for painting, leading American art into one of the most experimental periods in its history. Gorky's most important paintings and drawings were executed from 1940 through 1947, powerfully expansive years that many regard as his breakthrough period. His rich, mature work of these years is the focus of this illuminating volume, the most comprehensive book on the subject. Michael Auping's valuable text provides an introduction to the life and art of Arshile Gorky as well as an insightful consideration of the grand psychological landscape The Liver is the Cock's Comb, 1944, a work pivotal to the development of Gorky's style. Dore Ashton writes a lucid account of this artist who tends to resist classification, contributing an art historical overview of Gorky's appreciation of such modern innovators of abstraction and Surrealism as Miro and Kandinsky. Matthew Spender provides biographical details of Gorky's early years, while a selection of Gorky's personal letters further sheds an intimate light on the artist and his achievements.
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This solid, authoritative presentation of Gorky's pivotal art of the 1940s accompanies an exhibit of paintings and drawings showing this year at the National Gallery in Washington, D.C., as well as Buffalo and Fort Worth. Biographical and art-historical essays by Auping, a Modern Art Museum of Fort Worth curator, as well as Dore Ashton and Matthew Spender summarize the critical consensus of Gorky, placing him between Surrealism and Abstract Expressionism in the development of 20th-century art. Excellent reproductions of the paintings and drawings in the show are supplemented by close-ups from several paintings, photographs of Gorky, and selections from Gorky's letters. While not a comprehensive or groundbreaking work, this volume is an excellent summary of or introduction to Gorky for both general and informed lay readers.?Kathryn Wekselman, M.Ln., Cincinnati
Copyright 1995 Reed Business Information, Inc.
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Softcover exhibition catalog, 188 pages, very good condition except 1-inch tear to cover at top of spine, front edge; no internal marks. Foreign shipping may be extra. Seller Inventory # ArGoMo15
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Paperback. Condition: Very Good. Unmarked text. Beautifully illustrated in color. 188p. Measures 10x10 inches. Published on the occasion of the exhibition co-organized by the Modern Art Museum of Fort Worth and the Allbright-Knox Art Gallery, Buffalo, New York. Arshile Gorky (1904-1948) pioneered a complex vocabulary of forms by fusing landscapes remembered from his childhood home in Armenia with surrealist imagery and abstract plumes of color. Seller Inventory # 35459
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Paperback. Condition: Fine. 1st. 188 pages, illustrations (some colour), map; 26 cm. Catalogue of exhibition held at National Gallery of Art, Modern Art Museum of Fort Worth, and Albright-Knox Art Gallery, from May 1995 to March 1996. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Michael Auping's valuable text provides an introduction to the life and art of Arshile Gorky as well as an insightful consideration of the grand psychological landscape The Liver is the Cock's Comb, 1944, a work pivotal to the development of Gorky's style. Dore Ashton writes a lucid account of this artist who tends to resist classification, contributing an art historical overview of Gorky's appreciation of such modern innovators of abstraction and Surrealism as Miro and Kandinsky. Matthew Spender provides biographical details of Gorky's early years, while a selection of Gorky's personal letters further sheds an intimate light on the artist and his achievements." - Publisher. Size: 4to. Collectible. Seller Inventory # 210990
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paperback. Condition: Like New. First Paperback Edition. Publisher: Rizzoli/Albright-Knox Gallery, 1995.FINE in illustrated French wraps, as issued. First Softcover Edition, First Printing. Previous owner's artistic embossed stamp at bottom of title page, otherwise as new. Seller Inventory # 2312030002
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Softcover. Condition: VG (slight bumping to corners). Color illustrated wraps. 188 pp. 42 color plates. Catalogue of exhibition to be held at National Gallery of Art, Modern Art Museum of Fort Worth, and Albright-Knox Art Gallery, from May 1995 to March 1996. Michael Auping's valuable text provides an introduction to the life and art of Arshile Gorky as well as an insightful consideration of the grand psychological landscape The Liver is the Cock's Comb, 1944, a work pivotal to the development of Gorky's style. Dore Ashton writes a lucid account of this artist who tends to resist classification, contributing an art historical overview of Gorky's appreciation of such modern innovators of abstraction and Surrealism as Miro and Kandinsky. Matthew Spender provides biographical details of Gorky's early years, while a selection of Gorky's personal letters further sheds an intimate light on the artist and his achievements. Arshile Gorky (1904-1948) is recognized as one of the most crucial and intriguing figures in the early shaping of Abstract Expressionism. Gorky pioneered a complex vocabulary of forms by fusing landscapes remembered from his childhood home in Armenia with surrealist imagery and abstract plumes of color. In so doing, he helped create a distinctly new vision for painting, leading American art into one of the most experimental periods in its history. Gorky's most important paintings and drawings were executed from 1940 through 1947, powerfully expansive years that many regard as his breakthrough period. His rich, mature work of these years is the focus of this illuminating volume, the most comprehensive book on the subject. Seller Inventory # 20133
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paperbound, flaps, 4to oblong 188 pp., 42 fullpage plates, num. ills. one of the most intriguing figures in the early shaping of Abestract Expressionism; exhibition catalogue with extensive text; LIKE NEW condition. Seller Inventory # 23665
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Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Seller Inventory # GOR014624177
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