poetry, tr from Danish by Carl King
"synopsis" may belong to another edition of this title.
Fugue is an elegaic long poem about wind. It lifts, soars, glides and floats, speaking in the personified voice of this endless, gusting current of air. Othertimes, Malinowski slips into the third person and the poem becomes allusive, metaphorical; e.g., ". . the wind rose is a flower/that suspends the perception/of forwards and backwards. . . " or ". .'the summer/is a flowered cushion/ for exiled heads." Throughout this book-length poem a reader will encounter lush and lyrical language and an enormous variety of associations. After all, the wind encounters all things as it spirals the earth. Therein lies Fugue's gorgeous breadth as well as its structural dilemma-the subject can be turned into all things, can be infinite. Wind ascends cosmically, descends to "the wheat in the soil's microsphere," it rustles leaves in the surburbs, joins waterspouts and revolutions with the preaching priest ". . . borne by his gas balloon/ to the seventh heaven." For all the minutiae of detail there is something blousy and flaccid about the conceit that unifies the poem. And yet the book's magnitude and generous spirt is infectious and romantically lovely. Curbstone Press, admirably, has striven to fashion a unified book to better contain Malinowski's sprawling subject-the book is rich with interesting illustrations depicting a wide variety of mythic, symbolic, and representational forms; the offset text is in the author's handwriting; the format is only slightly larger than most small press publications and the extra dimensions help the reader absorb the array of imagery created by this multiplicity of design elements. There are quotes, notes, cosmologies, charts, and grids. While one can sense the preparation the publisher gave Fugue, it's not a satisfying whole: the facsimile handwriting is occasionally unclear, the illustrations not infrequently distract from the text, and the spine of my review copy was poorly glued. Given the nature of this translation and the collaborative complexities of the production, a case might well have been made for it being produced as a quality, illustrated edition or artist's book. -- From Independent Publisher
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Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.01. Seller Inventory # G0915306565I3N00
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Seller: Priceless Books, Urbana, IL, U.S.A.
Soft cover. Condition: Very Good. unpaged. Corners & ends of spine lightly rubbed & chipped. Illus. by Dea Trier Morch. Signed & inscribed by Morch on half-title. Seller Inventory # ABE-1682880273584
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Seller: James Fergusson Books & Manuscripts, London, United Kingdom
Soft cover. Condition: Very Good. 1st Edition. Wrappers. Spine slightly faded. From the library of the poet David Gascoyne, with the Gascoyne library book-label and inscribed by the author on the half-title, "To David Gascoyne from Ivan M". Inscribed by Author(s). Seller Inventory # G101190
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Seller: The Poetry Bookshop : Hay-on-Wye, Hay-on-Wye, POWYS, United Kingdom
Card Wrappers. Condition: Very Good. Dea Trier Morch (illustrator). First Edition. (68pp.) Text printed in Malinowski's holograph throughout. Inscription from Malinowski to Meic & Ruth Stephens. His last collection. Some foxing & rubbing to covers. Signed by Author. Book. Seller Inventory # AB121018
Quantity: 1 available