An Architectural Progress in the Renaissance and Baroque: Sojourns In and Out of Italy (Papers in Art History)

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9780915773077: An Architectural Progress in the Renaissance and Baroque: Sojourns In and Out of Italy (Papers in Art History)
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The Barbadori Chapel in Santa Felicita - Jack Wasserman, Temple University· The Bath Palace of Pope Nicholas V at Viterbo - Charles Mack, University of South Carolina· Alexander VI, Pinturicchio, and the Fabrication of the Via Alessandrina in the Vatican Borgo - Eunice Howe, University of Southern California· The Colosseum as a Site for Sacred Theatre: A Pre-History of Catlo Fontana's Project - Barbara Wisch, The Pennsylvania State University· Der römische Palazzo della Sapienza als 'Gymnasion': Antike Quellen eines für Pirro Ligorio zu sichernden Hauptwerks - Robert Stalla, University of Munich· Il Cardinale Grancesco Maria del Monte e la fortuna del progetto buonarrotiano per la Basilica di S. Pietro a Roma: 1604-1613 - Zygmant Wázbwíski, University of Torun, Poland· Madernos St. Peter Entwürfe - Christ of Thoenes, Bibliotheca Hertziana, Rome· Maderno and Borromini: Plan and Section - Patricia Waddy, Syracuse University· Rubens' Oil Sketches for Architecture - Linda Bauer, University of California at Irvine· The Meaning of the Portico of Palazzo Barberini - Stephen Tobriner, University of California at Berkeley· Plautilla Bricci 'Architettrice' and the Villa Benedetti in Rome - John Varriano, Mount Holyoke College· Bernini's Commission for the Equestrian Statue of Constantine in St. Peter's : A Preliminary Reading - Tod Marder, Rutgers University· Bernini in Paris - George Bauer, University of California at Irvine· Die Kollegiatskirche S. Maria Assunta in valmontone: Ein Hauptwerk Mattia de Rossis (1637-1695) - Elisabeth Sladek, Österreichische Akademie der Wissenschoften, Rome · Orazio Spada e la sua Cappella nella Chiesa Nuova - Antonella Pampalone, Rome, Italy· The Baroque Architect's Tomb - Joseph Connors, Columbia University; The American Academy in Rome· Two Contrasting Concepts of Color in the Architecture of the Roman Baroque - Robert Enggass, Rome, Italy· Architects and Clods: The Emergence of Urban Planning in...Palace Architecture in 17th Century Rome - Dorothy Metzger Habel, University of Tennessee· The Architectural Legacy of Bernini in Rome - Allan Braham, National Gallery, London· Architecture of Power and Dynastic Edification: Turin's Contrada di Po as Theatre and Stradone - Martha Pollak, University of Illinois at Chicago· Fischer von Etlach, Tiepolo, and the Unity of the Visual Arts - Irving Lavin, Institute for Advanced Study, Princeton· Nicola Michetti and 18th Century Architecture in Saint Pertersburg - John Pinto, Princeton University· Filippo Juvarra: New Drawings - Henry A. Millon, National Gallery of Art, Washington, D.C. · Vedute: Capriccio e Progettazione in Filippo Juvarra - Chiara Passanti, Turin, Italy· Filippo Juvarra and the Baroque Staircase - Windsor F. Cousins, State College, Pennsylvania· Un inedito disegno d'ambito Berniniano rappresentante il Terzo Braccio in Piazza San Pietro - Ro sella Carloni, Rome· Appunti per la stocia dell'Accademia di San Luca: La collezione dei dipinti nei secoli XVII e XVIII - Angela Cipriani and Giulia De Marchi Academia à San Luca Rome· The Academy of Arts and Sciences: A Paper Building Type of the 18th Century - Christine Challingsworth, National Gallery of Art, Washington, D.C. · Pompeo Ferrari: A Disciple of Carlo Fontano in Poland - Gil R. Smith, Ball State University· Balthasar Neumann's Italian Liaison: Second Thoughts - Christian Otto, Cornell University· Paolo Posi, Alesandro Dori and the Palace for the Papal Family on the Quintinal Hill - Cathie C. Kelly, University of Nevada at Las Vegas· Der neapolitanische Architekt Mario Gioffredo, 1718-85, zwischen Spätbarock und Frühklassizismus - Jörg Garms Österreichisches Historisches Institut, Rome · Charles Cameron, Catherine II, and the Church of St Sophia....Observations on a Missing Monument - Anthony Cutler, The Pennsylvania State University· 'Sempre si fanta

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Published by Penn State Department of Art H (2002)
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Henry Millon, Susan Munshower (Editor)
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