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Produced in conjunction with an exhibition originating at the Georgia Museum of Art and scheduled for several venues during 1997. Thoroughly researched essays give an overview of the 1930s; discuss the Southern scene in Alabama, Georgia, Louisiana and Mississippi, South Carolina, and North Carolina and Virginia; and address the subjects of WPA black printmakers, and views of the South by Northern artists. Illustrated with color and b&w plates. 11x9" Annotation c. by Book News, Inc., Portland, Or.
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Patricia Phagan is currently curator of prints and drawings at the Georgia Museum of Art in Athens, Georgia. Matthew Baigell is author of The DIctionary of American Art.Excerpt. © Reprinted by permission. All rights reserved.:
[The] prolonged drive among photographers, writers, and government administrators to document [the] engrossing but often disturbing visual aspects of the South rose from an efflorescence of the documentary tradition that stretched across cultural fields and state boundaries in the Depression and took hold in the areas of painting and printmaking across the country. An infectious enthusiasm among painters and printmakers to picture the South, especially community-and people-related aspects, opened up the region to the national phenomenon called the American Scene, popularized by the localized and agrarian paintings of Thomas Hart Benton, John Steuart Curry, and Grant Wood.
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Book Description Condition: New. New. Seller Inventory # STR-0915977249
Book Description Univ of Georgia Georgia Museum, 1996. Condition: New. book. Seller Inventory # M0915977249