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The essential introduction to Mozart and the pleasures of classical music in a witty, exuberant style to match Mozart's own. What to Listen For in Mozart reveals the essence of Mozart’s music as well as his tumultuous life and times, examining his achievements within the aristocratic society of the late 1700’s, a society hovering on the brink of revolution , and the details of his career and tragic death, shunned and destitute at the age of thirty-five.
From the Hardcover edition.
"synopsis" may belong to another edition of this title.
As a critic, reviewer, broadcaster and producer, Robert Harris has been demystifying classical music for enthusiastic audiences for over twenty-five years. Currently the host of CBC Radio’s I Hear Music, he lives in Toronto.
From the Hardcover edition.
Harris, head of variety programming for CBS radio, tries hard- -with very iffy results--to provide unsophisticated listeners with an in-depth introduction to Mozart's life and work. After some predictable opening remarks about Mozart's genius and personality (a ``titan charming the gods''), Harris leaps right into matters of musical theory: the basics of rhythm, meter, melody, harmony; the sonata-allegro form as exemplified by Eine Kleine Nachtmusik; close-textual score-reading. (``Do you see that C sharp that sneaks in at the end of bar 21 in the first violin part?'') Most nonmusicians will be lost, even if they listen (as directed) to a recording while reading. Consistently, in fact, Harris mixes overdemanding musicology with a patronizing tone as he offers close-ups of a half-dozen major instrumental works: ``Don't be frightened by a large work like a concerto....Think of this opening to the piece as if it were the opening to a TV mini- series.'' The detailed discussions of the great operas--Figaro, Don Giovanni, Cosi Fan Tutte, The Magic Flute--are less technical and more involving, though not particularly fresh or forceful. And the chunks of biography scattered throughout are modestly entertaining and informative, if occasionally simplistic and graceless. (Gratuitously, one of Mozart's most graphic scatological letters is quoted in full.) With, as an appendix, brief appreciations of Harris's ``personal selection of Mozart's Top Fifty works'': an only sporadically effective music-appreciation class--often too dense for beginners, too spoon-fed for serious music-lovers. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.
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Book Description Macfarlane Walter & Ross, 1993. Condition: New. book. Seller Inventory # M0921912323
Book Description Macfarlane Walter & Ross, 1993. Paperback. Condition: New. Seller Inventory # DADAX0921912323